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Alfred's Basic Piano Library: Sight Reading Book 1A: Piano Book

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Alfred's Basic Piano Library: Sight Reading Book 1A Cover Image

Alfred's Basic Piano Library: Sight Reading Book 1A: Piano Book

By Gayle Kowalchyk and E. L. Lancaster

Level: 1A

Item: 00-5750

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Description
The Sight Reading Books teach sight reading in a systematic way by creating exercises based on the same concepts that students are studying in the Lesson Books. Also includes rhythm sight reading drills and improvisation exercises to develop tactile freedom on the keyboard. Exercises are short and the music is generally easier than the corresponding pages in the Lesson Book.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-0498-0
ISBN13: 978-0-7390-0498-2
UPC: 038081112060
SKU: 00-5750

More about this title

About the Authors

Gayle Kowalchyk
Dr. Gayle Kowalchyk is a piano educator and pedagogy specialist currently on the faculty at California State University, Northridge, where she teaches class piano, individual piano lessons, and piano pedagogy courses. She earned her bachelor's degree in piano performance from Ohio University in 1977, completed graduate study in piano performance and pedagogy at Northwestern University in 1979, and received her Ed.D. in piano pedagogy from Teachers College, Columbia University in 1989.

Throughout her career, Dr. Kowalchyk has held faculty positions at Eastern Illinois University, Oklahoma Baptist University, and the University of Oklahoma. She coordinated the class piano program and directed the piano preparatory program at Eastern Illinois, and spent summers from 1979 to 1982 teaching class piano and piano ensemble at the National Music Camp in Interlochen, Michigan. As a prolific clinician and adjudicator, she has presented sessions at conventions of the Music Teachers National Association, Music Educators National Conference, National Group Piano Symposium, National Piano Teachers Institute, and the World Piano Pedagogy Conference, among others.

In collaboration with her husband, Dr. E. L. Lancaster, Dr. Kowalchyk has authored more than 300 educational piano publications, including Alfred's Premier Piano Course and Music for Little Mozarts. From 1981 to 1996, she and her husband operated an independent piano studio in Norman, Oklahoma, serving students of all ages. Currently based in the Los Angeles area, she continues to teach piano and serves as a clinician for Alfred Music.
E. L. Lancaster
Dr. E. L. Lancaster served as Executive Editor for Piano at Alfred Music and currently holds an adjunct piano faculty position at California State University, Northridge. He earned degrees from Murray State University and the University of Illinois, culminating in a Ph.D. from Northwestern University.

At the University of Oklahoma, where he was Professor of Music from 1979 to 1998, Dr. Lancaster created the master's and doctoral programs in piano pedagogy and mentored over 50 doctoral candidates in the field. He directed the Piano Pedagogy Laboratory Program for pre-college students and, alongside his wife Dr. Gayle Kowalchyk, operated a substantial independent piano studio in Norman, Oklahoma from 1981 to 1996. His teaching excellence earned him multiple honors, including the Regents Award for Superior Teaching (1984), the David Ross Boyd Professorship (1991), and the Provost's Outstanding Academic Advising Award (1996).

Dr. Lancaster has held significant leadership roles within the music education community, serving as National Chairman of Group Piano and National Chairman of Student Chapters for MTNA, as well as 2020 National Conference Chair for the same organization. He has contributed to the National Conference on Piano Pedagogy in various capacities, including Chair of the Administration/Pedagogy Liaison Committee. His contributions to music education were recognized when he received the 2013 Signature Sinfonian Award from Phi Mu Alpha Sinfonia and the 2014 Distinguished Alumnus Award from Murray State University.

Why we love this

This book does exactly what it promises without busywork. Every exercise connects directly to what students encounter in the corresponding Lesson Book, so sight reading feels like a natural extension of their studies rather than a separate chore. The rhythm drills build confidence in ways that unlock everything else, and the improvisation sections remind students that reading music is a path toward genuine musical freedom.

What to expect

Gentle and encouraging. The exercises feel manageable because they're genuinely shorter and easier than what appears in the main Lesson Book, giving students the confidence that comes from successful reading experiences. Rhythm drills and improvisation sections add variety that keeps practice engaging rather than repetitive.

Who it's for

Students working through Alfred's Basic Piano Library Level 1A who need focused, systematic practice in reading notation. This book serves students ages 5-8 and anyone beginning piano study at the earliest levels. Teachers looking for supplemental material that won't overwhelm young learners will find the page count and exercise length exactly right.

How to get the most out of it

  • Work through one exercise per practice session rather than trying to complete a page. Short, frequent exposure to new patterns builds automaticity better than marathon sessions.
  • Use the rhythm drills before moving to the notated exercises. Students who can feel the rhythm first read the notes with far greater accuracy.
  • Rotate between the sight reading pages and the corresponding Lesson Book page so students see how the concepts connect. This reinforces that sight reading and repertoire study work together.
  • Let improvisation exercises happen without judgment. The tactile exploration they provide actually improves note-reading by making the keyboard geography more intuitive.

How to use it

Assign one page per week alongside the corresponding Lesson Book material to reinforce new concepts before students encounter them in repertoire. For group piano classes, use the rhythm drills as warm-up activities that train the entire class together, then rotate through individual sight reading to keep all students engaged. These exercises work especially well in the first half of a lesson when students are freshest.

Skills your students will build

  • Recognizing and reading note names on the staff in treble clef
  • Sight reading simple melodies at a steady tempo
  • Performing accurate rhythm patterns in basic meters
  • Coordinating hand position with accurate key location
  • Building tactile awareness of the keyboard through improvisation
  • Gaining confidence in independent reading before tackling full pieces

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