Alfred's Basic Piano Library: Recital Book 5 Cover Image

Alfred's Basic Piano Library: Recital Book 5: Piano Book

$9.99 USD
Sale price  $9.99 USD Regular price 
Skip to product information
Alfred's Basic Piano Library: Recital Book 5 Cover Image

Alfred's Basic Piano Library: Recital Book 5: Piano Book

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 5

Item: 00-2117

$9.99
Shipped

One moment…

Description
The Recital Books congratulate students for a job well done by providing correlated repertoire to their Lesson Books that are based on concepts they've already learned. As a result, the pieces are quickly mastered. Recital Book Level 5 contains many original pieces of standard literature, including Beethoven's Sonatina in G, Chopin's Prelude in A Major, and originals by Kohler, Gurlitt and Clementi.

Alfred's Basic Piano Library: Recital Book 5: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-0894-3
ISBN13: 978-0-7390-0894-2
UPC: 038081000688
SKU: 00-2117

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, scholar, and educator who composed and published 789 works spanning multiple instruments and genres. His prolific catalog includes methods for accordion, piano, Hammond Chord Organ, and guitar, alongside hundreds of solo pieces and choral compositions. Many of his works have been translated into German, Japanese, French, Dutch, and Spanish, extending his influence across the globe.

Palmer's scholarly achievements earned him particular distinction in the study of Baroque music ornamentation, establishing him as a worldwide authority in this specialty. His research formed the foundation for the acclaimed Alfred Masterworks series of publications. These contributions to musicological scholarship resulted in his receiving a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983.

A child prodigy who performed piano on radio at age 13, Palmer studied under Mae Vardeman, whose instruction in proper technique fostered his natural gift for improvisation. He attended Whitworth College and Millsaps College, where he continued performing accordion and piano on radio programs. After earning his Bachelor's degree from Millsaps, Palmer pursued advanced study at the Conservatory of Leipzig on a two-year scholarship. He later joined the University of Houston faculty, where he taught groundbreaking college-level accordion courses for 18 years. Palmer also served as choir director of Memorial Lutheran Church in Houston for many years and held membership in the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for over six decades, from 1952 to 2016. His father, Sam Manus, founded the company in 1922 as Manus Music in New York's Tin Pan Alley. In 1930, Sam merged his business with Alfred & Company, creating the unified Alfred Music brand that continues today. Morty joined the family enterprise in the late 1940s after earning his business degree from City College of New York.

A clarinetist and pianist, Manus fundamentally transformed Alfred Music during the 1950s by pivoting toward music education. He spearheaded the creation of instructional series for accordion, guitar, piano, and recorder, positioning the company as a leader in educational materials rather than solely a sheet music publisher. Under his stewardship, Alfred Music expanded dramatically, eventually outgrowing its New York base and establishing its headquarters in Los Angeles in 1975.

Manus extended the company's reach by bringing his sons into the business. Ron joined in 1988 and Steve in 1992, and together they expanded Alfred Music into an international operation with offices in Australia, Germany, Singapore, and the UK. The company's growth trajectory culminated in 2005 with the acquisition of Warner Bros. Publications and the EMI Catalogue Partnership, establishing a significant long-term relationship with Warner/Chappell Music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is a pianist and pedagogy expert who co-authored Alfred's Basic Piano Library, one of the world's most recognized piano methods, alongside Dr. Willard Palmer and Morton Manus. She earned degrees from Northwestern University in piano performance and music education, along with a master's degree in piano performance. Her formal training included studying with renowned musicians James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, and Douglas Moore at Columbia University.

Throughout her career, Dr. Lethco served as Professor Emeritus of Piano Pedagogy at the University of Texas at Austin and maintained a private teaching practice across multiple cities including New York, San Antonio, and Houston. She received an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi, and is recognized in both the International Who's Who of Musicians and the World Who's Who of Women.

Beyond her teaching and publishing work, Dr. Lethco was an active clinician and workshop presenter across the United States and internationally. She conducted educational workshops throughout Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. She also co-authored Creating Music at the Piano with Dr. Willard Palmer and regularly performed recitals throughout the United States.

Why we love this

This recital book respects what students have already mastered by pairing pieces directly with their Lesson Book concepts, allowing repertoire to feel achievable rather than aspirational. The programming choices are serious: Beethoven's Sonatina in G and Chopin's Prelude in A Major sit alongside substantial works by Kohler, Gurlitt, and Clementi, introducing students to genuine literature rather than simplified arrangements. A student who plays through this book will have performed real classical repertoire and internalized the style and fingerwork patterns that define Level 5 piano playing.

What to expect

Moving through these pages feels like stepping into a real composer's world. The mix of Romantic-era miniatures and Classical sonatinas creates moments of quiet reflection alongside passages of harmonic color and technical clarity. Students encounter music that sounds like the piano literature they hear professionals perform, building ownership and pride in their playing.

Who it's for

This book is for piano students who have completed Level 4 and are ready for a genuine recital experience. Students benefit most when they have already studied the corresponding concepts in the Level 5 Lesson Book and are seeking performance material that reinforces what they know.

How to get the most out of it

  • Approach Beethoven and Chopin pieces as studies in Classical and Romantic era style rather than technical challenges. Attend to the historical performance practices Palmer researched throughout his career, particularly clarity of phrasing and appropriate ornamentation.
  • Work through the easier pieces first to build confidence, then tackle the more substantial works. The book's organization allows flexibility in the order you perform selections.
  • Use the pieces as opportunities to explore different piano sonorities. Kohler and Gurlitt's works often require sensitive pedal work and voice independence that develops musical maturity.

How to use it

Use individual selections from this book in student recitals throughout the year, pairing them with other Level 5 repertoire to create a cohesive program. The Beethoven and Chopin pieces work particularly well as centerpiece selections that showcase student achievement and introduce families to major composers. Alternatively, assign multiple pieces as a complete recital program for advanced Level 5 students preparing for end-of-year performance.

Skills your students will build

  • Playing Classical sonatina form with clear phrase structure
  • Executing Romantic-era ornaments and expressive techniques
  • Sustaining independent voice lines across both hands
  • Managing pedal use to enhance harmonic color without muddying texture
  • Interpreting fingering and annotation to shape musical intent
  • Building stamina for multi-section pieces

You May Also Like