Alfred's Basic Piano Library: Hymn Book Complete 1 (1A/1B) Cover Image

Alfred's Basic Piano Library: Hymn Book Complete 1 (1A/1B): Piano Book

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Alfred's Basic Piano Library: Hymn Book Complete 1 (1A/1B) Cover Image

Alfred's Basic Piano Library: Hymn Book Complete 1 (1A/1B): Piano Book

For the Later Beginner

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 1A & 1B

Item: 00-6158

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Description
The Hymn Books contain the world's most famous hymns and are perfect for the student who enjoys playing sacred music. Duet parts are included in the first three levels. Titles: Abide with Me * All Through the Night * Amazing Grace * Crown Him with Many Crowns * Evening Prayer * Faith of Our Fathers * Father, in Thy Mysterious Presence * Forest Green * For the Beauty of the Earth * Gentle Jesus, Meek and Mild * God Is So Good * Holy Bible, Book Divine * Holy Spirit, Hear Us * I Am Bound for the Promised Land * I Surrender All * Jesus, Lord of Glory * Jesus, Lover of My Soul * Jesus Loves Me! * O Give Thanks to the Lord * Oh, How I Love Jesus * Oh Worship the King * O Store Gud (Melody of "How Great Thou Art") * Praise God, from Whom All Blessings Flow * Sun of My Soul * That Will Be Glory! * Winds Through the Olive Trees * Wonderful Words of Life.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-2230-X
ISBN13: 978-0-7390-2230-6
UPC: 038081002101
SKU: 00-6158

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, educator, and scholar who produced 789 published compositions across multiple genres. His prolific output includes methods for piano, guitar, accordion, and Hammond Chord Organ, along with numerous solo pieces and choral works translated into German, Japanese, French, Dutch, and Spanish. For many years, he served as choir director at Memorial Lutheran Church in Houston, Texas.

Palmer's musical foundation began remarkably early. He performed piano on radio broadcasts at age 13 and studied both piano and accordion under Mae Vardeman, whose instruction in proper technique fostered his improvisational gifts. During his college years at Whitworth College in Brookhaven, Mississippi and Millsaps College in Jackson, Mississippi, he regularly performed on radio programs and in campus ensembles. Following his Bachelor's degree from Millsaps, he earned a two-year scholarship to study at the Conservatory of Leipzig in Germany.

Upon returning to the United States, Palmer joined the University of Houston music faculty and established the institution's first successful accordion courses, teaching there for 18 years. His scholarly expertise in Baroque music ornamentation and performance practices became internationally renowned and informed the prestigious Alfred Masterworks series. Palmer received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983. He directed the Riemenschneider Bach Institute and maintained memberships in the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. throughout a transformative 64-year period spanning from 1952 to 2016. A clarinetist and pianist, Manus took the helm of the company that his father Sam had founded in 1922 as Manus Music, which later merged with Alfred & Company to become Alfred Music. With a business degree from City College of New York, Manus steered the organization through decades of significant growth and strategic expansion.

Under Manus's leadership, Alfred Music evolved from a popular sheet music publisher into the music education industry's foremost educational materials provider. Beginning in the 1950s, he championed the development of instructional series for accordion, guitar, piano, and recorder that became foundational to music instruction worldwide. The company's success led to a major relocation of its headquarters to Los Angeles in 1975, with a distribution center established in upstate New York to meet growing demand.

Manus's vision extended across generations and continents. His sons Ron and Steve joined the company in 1988 and 1992 respectively, continuing the family legacy by expanding Alfred Music's international reach through offices in Australia, Germany, Singapore, and the UK. A major milestone came in 2005 when Alfred Music acquired Warner Bros. Publications, gaining rights to the EMI Catalogue Partnership and establishing an enduring relationship with Warner/Chappell Music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is best known as co-author of Alfred's Basic Piano Library, the globally recognized piano method developed alongside Dr. Willard Palmer and Morton Manus. She served as Professor Emeritus of Piano Pedagogy at the University of Texas at Austin and pursued advanced studies with renowned musicians including James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, and Douglas Moore at Columbia University.

Her educational credentials include a Bachelor of Music in Piano Performance, a Bachelor of Music Education, and a Master of Music in Piano Performance from Northwestern University, along with an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi. Beyond her foundational work on Alfred's Basic Piano Library, she collaborated with Dr. Willard Palmer to create Creating Music at the Piano.

Throughout her career, Dr. Lethco maintained a distinguished international presence as both performer and educator. She gave recitals across the United States and served as a clinician at numerous American conventions while conducting workshops throughout Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. She maintained private teaching studios in New York City, San Antonio, Austin, and Houston, and appears in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

This book brings together 27 beloved hymns at the precise moment when young pianists are ready to explore repertoire beyond their method book exercises. Palmer's selection honors the educational principle that sacred music can deepen a student's engagement with the instrument while building cultural literacy. The inclusion of duet parts in this level transforms solo practice into genuine ensemble musicmaking, which early-level students rarely encounter elsewhere.

What to expect

Playing these hymns feels like stepping into something larger than yourself. Each melody carries centuries of singing, and even in simplified form, the arrangement honors the dignity and peacefulness these songs convey. There's an immediate sense of competence and contribution: you are playing real music that people recognize and cherish, not artificial exercises.

Who it's for

This book serves early-level piano students (1A/1B) who are building confidence with basic technique and are ready for meaningful repertoire beyond method book exercises. It also works well for students from faith communities who want to connect their piano study with music their families and congregations know and love.

How to get the most out of it

  • Play the duet parts with a teacher, parent, or advanced student whenever possible; the hymn arrangements gain warmth and purpose when accompanied, helping students hear the harmonic context Palmer created.
  • Give yourself time to hear the melody you're learning; many students rush through opening rehearsals, missing the opportunity to absorb these deeply familiar tunes and understand why the arrangement sits the way it does.
  • Sustain whole notes fully and let them breathe, especially at phrase endings; hymns rely on this restraint to create their reverent character, and early pianists often cut durations short.
  • Observe any dynamic markings carefully, even if they seem subtle; Palmer's instruction here guides phrasing and interpretation in a way that transforms a note-reading exercise into genuine musical communication.

How to use it

Assign hymns individually as students demonstrate readiness, allowing them to choose from the collection based on personal or family connection. A hymn recital featuring multiple students from your studio creates a meaningful community performance that celebrates both individual progress and shared musical heritage. These pieces also work beautifully as part of a sacred music unit in a group piano class or as supplements to regular method book study.

Skills your students will build

  • Reading single-line melodies with consistent hand position and finger independence
  • Sustaining whole notes and half notes while maintaining steady tempo
  • Navigating simple dynamic markings and understanding how they shape phrasing
  • Playing duet parts in coordination with another musician, building rhythm security and listening skills
  • Recognizing and performing familiar melodies, which strengthens music reading confidence

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