Alfred's Basic Piano Library: French Edition Lesson Book 3 Cover Image

Alfred's Basic Piano Library: French Edition Lesson Book 3: Piano Book

$7.99 USD
Sale price  $7.99 USD Regular price 
Skip to product information
Alfred's Basic Piano Library: French Edition Lesson Book 3 Cover Image

Alfred's Basic Piano Library: French Edition Lesson Book 3: Piano Book

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: 3

Item: 00-3102

$7.99
Shipped

One moment…

Description
French Language Edition. This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book 3 introduces "overlapping pedal"; new time signatures 3/8 and 6/8; and the primary triads in Major and Minor keys. Concepts include: passing one under two and one under three; playing major scales in contrary motion; the chromatic scale; the minor scale.

For reinforcement of each principle as it is introduced, supplementary material is carefully coordinated, page for page, at each level of instruction. Coordinating supplemental books for Level 3 include: Classic Themes * Composition * Duet * Ear Training * Ensemble * Fun * Hymn * Merry Christmas * Merry Christmas Ensemble * Musical Concepts * Notespeller * Patriotic Solo * Recital * Repertoire * Sight Reading * Technic * Theory and Top Hits! Solo, Christmas and Duet Book.

Alfred's Basic Piano Library: French Edition Lesson Book 3: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-2841-3
ISBN13: 978-0-7390-2841-4
UPC: 038081041209
SKU: 00-3102

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, educator, and scholar who created nearly 789 published compositions. His prolific output spans accordion and piano methods, guitar instruction books, Hammond Chord Organ materials, solo pieces, and choral works. Many of his compositions have been published in German, Japanese, French, Dutch, and Spanish translations. For many years, he served as choir director at Memorial Lutheran Church in Houston, Texas.

Palmer's early talent emerged when he performed piano on radio broadcasts at just 13 years old. He studied piano with Mae Vardeman, whose instruction in proper technique helped him develop strong improvisation skills. During his college years at Whitworth College and Millsaps College in Mississippi, he continued performing accordion and piano on radio programs and in campus ensembles. After earning his Bachelor's degree from Millsaps, he attended the Conservatory of Leipzig in Germany on a two-year scholarship and later completed post-graduate studies at the University of Houston.

As a faculty member at the University of Houston, Palmer taught the first successful college accordion courses for 18 years. His scholarly expertise in Classical and Baroque music, particularly in ornamentation techniques, established him as a world authority in the field and became the foundation for the acclaimed Alfred Masterworks publication series. The American Federation of Musicians, American Accordionists' Association, and ASCAP recognized his contributions through membership. Palmer received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983, and he served as a director of the Riemenschneider Bach Institute.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for over six decades, from 1952 to 2016. He inherited a company founded by his father Sam in 1922 as Manus Music, which merged with Alfred & Company in 1930 to become Alfred Music. A clarinetist and pianist himself, Morty brought a fresh vision to the organization after earning his business degree from City College of New York.

Under Manus's leadership, Alfred Music transformed from a popular sheet music publisher into an educational powerhouse. Beginning in the 1950s, he spearheaded development of instructional materials starting with accordion books, followed by guitar, piano, and recorder methods. The company expanded dramatically through the following decades, eventually requiring relocation of its main offices to Los Angeles in 1975 and establishment of a distribution center in upstate New York.

Manus's sons Ron and Steve joined the company in 1988 and 1992 respectively, continuing the family legacy. Together they expanded Alfred Music's global reach with offices in Australia, Germany, Singapore, and the United Kingdom while maintaining focus on educational excellence and performance music. In 2005, the company acquired Warner Bros. Publications and secured rights to the EMI Catalogue Partnership, strengthening its position as a music industry leader.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is best known for co-authoring Alfred's Basic Piano Library with Dr. Willard Palmer and Morton Manus, a piano method recognized worldwide. She earned degrees from Northwestern University in piano performance, music education, and piano performance at the master's level. Her advanced studies included work at prestigious institutions: Juilliard under James Friskin, Chicago Musical College with Rudolph Ganz, Columbia University with Douglas Moore, and private instruction in Houston with Ruth Barr.

Throughout her career, Dr. Lethco held the position of Professor Emeritus of Piano Pedagogy at the University of Texas at Austin. She received an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi, in recognition of her contributions to music education and performance. Additionally, she co-authored Creating Music at the Piano with Dr. Willard Palmer.

Dr. Lethco maintained an active teaching practice in New York City, San Antonio, Austin, and Houston while also presenting recitals across the United States. She served as a clinician at numerous conventions and conducted workshops internationally, traveling to Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. Her professional accomplishments are documented in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

This French edition preserves the carefully scaffolded progression that makes Alfred's Basic Piano Library a classroom standard while serving French-speaking students and teachers directly. Level 3 introduces genuinely important technique (overlapping pedal, contrary motion scales, primary triads in major and minor) without overwhelming learners, and the coordinated supplementary materials mean you can reinforce every concept the moment it appears on the page.

What to expect

Lessons progress with steady confidence, introducing new concepts one at a time so students feel capable rather than scrambling. The pieces themselves remain accessible and musically satisfying, supporting the pleasure of playing while technique quietly expands in the background.

Who it's for

This book serves early intermediate pianists (typically age 8-12) who benefit from systematic note-reading instruction built on interval recognition and who are ready for foundational technique concepts like pedal use and hand independence. It works equally well in private studio settings and group classes, especially where French language instruction is valued or where the coordinated supplementary materials can reinforce learning.

How to get the most out of it

  • Work through the overlapping pedal passages slowly at first, lifting the pedal just before the foot depresses it again; this prevents muddiness and trains awareness of the sustain pedal as a musical tool, not a blur effect.
  • When practicing contrary motion scales, block hands separately until independence is secure, then layer them gradually by measure rather than attempting full hands-together coordination immediately.
  • Approach the chromatic scale studies with attention to evenness of tone and consistent finger rotation; these passages build facility that transfers directly to sight-reading fluency.
  • Use the new time signatures (3/8 and 6/8) as an opportunity to conduct while playing or to tap the beat before touching the keys, cementing rhythmic security in these meters before speed matters.

How to use it

Use this as the core text for students in their third year of piano study, pairing it with the coordinating Technic and Repertoire books from the same level to deepen both mechanical facility and musical interpretation. The French edition pairs naturally with music education curricula in French-language schools or with teachers serving French-speaking families.

Skills your students will build

  • Overlapping (sustaining) pedal technique and aural awareness of pedal effects
  • Reading and performing in 3/8 and 6/8 time signatures
  • Identifying and building primary triads (I, IV, V) in major and minor keys
  • Executing passing thumb movements (one under two; one under three) for smooth scalar passage work
  • Playing major scales and primary scale patterns in contrary motion
  • Building chromatic scale facility for technical and sight-reading development
  • Recognizing intervals as a foundation for efficient note-reading

You May Also Like