Alfred's Basic Piano Library: Composition Book 3 Cover Image

Alfred's Basic Piano Library: Composition Book 3: Piano Book

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Alfred's Basic Piano Library: Composition Book 3 Cover Image

Alfred's Basic Piano Library: Composition Book 3: Piano Book

By Valerie Cisler and Deanna Walker-Tipps

Level: 3

Item: 00-18104

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Description
The Composition Book encourages the development of creativity and compositional skills, while reinforcing important musical concepts including music reading and notation. Although these books are correlated page-by-page with the Lesson Books, they can be used with any piano method.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-3118-0
ISBN13: 978-1-4706-3118-5
UPC: 038081159560
SKU: 00-18104

More about this title

About the Authors

Valerie Cisler

Deanna Walker-Tipps
Deanna Walker-Tipps is a faculty member at Vanderbilt University with formal training in both performance and composition. She earned her Bachelor's degree in Piano Performance Pedagogy from Eastern New Mexico University and completed her Master's degree in Composition at Peabody Conservatory of Johns Hopkins University.

Her compositional work has been recognized through numerous commissions and performances. Walker-Tipps co-authored Alfred's Basic Piano Library Composition Books for Levels 1 through 3. She placed third in the MTNA Distinguished Composer of the Year competition with her Suite for Two Pianos, a piece originally commissioned by the Oklahoma Music Teacher's Association and entered against submissions from over 30 states.

Walker-Tipps has established herself as a thought leader in her field through regular presentations at MTNA conventions held at national, division, state, and local levels. Her commissioned works include Theme and Motivations for piano trio, premiered by the Tulsa ensemble Trio Brioso after being requested by Concertime, and Trio for saxophone, flute, and piano, which debuted in Chicago in March 1998 following a commission from the Research Services Council of the University of Nebraska at Kearney.

Why we love this

This book treats composition as a genuine creative practice, not a worksheet assignment. Students move beyond fill-in-the-blank exercises to develop ownership over their musical ideas while reinforcing the notation and reading skills they're building in their lesson book.

What to expect

The exercises strike a balance between freedom and structure, giving students room to invent melodies and harmonies within clear parameters. Each completed composition becomes a small achievement, reinforcing that music-making extends beyond interpreting existing pieces.

Who it's for

Piano students working through Level 3 of Alfred's Basic Piano Library who benefit from structured creative outlets alongside their technique and repertoire study. Students at this level have enough notation fluency and harmonic awareness to compose simple pieces with guidance.

How to get the most out of it

  • Encourage students to play their compositions aloud immediately after writing them. Hearing the work confirms whether their notation choices produce the intended sound.
  • Have students share finished pieces with peers in small group settings before moving to the next exercise. This builds confidence and creates natural motivation to compose with care.
  • Ask students to experiment with dynamics and tempo markings after completing the basic melodic or harmonic framework. This deepens their understanding of how notation controls interpretation.

How to use it

Assign pages in tandem with corresponding lessons to reinforce concepts in real time. Use finished compositions as optional student performance opportunities during studio recitals, where young composers can introduce and perform their own work.

Skills your students will build

  • Music notation and correct use of staff, clef, and time signature
  • Melodic construction with attention to phrasing and contour
  • Basic harmonic awareness and chord progression choices
  • Tempo and dynamic marking application
  • Ownership of creative musical decisions

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