Alfred's Basic Piano Library: Composition Book 1A Cover Image

Alfred's Basic Piano Library: Composition Book 1A: Piano Book

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Alfred's Basic Piano Library: Composition Book 1A Cover Image

Alfred's Basic Piano Library: Composition Book 1A: Piano Book

By Valerie Cisler and Deanna Walker-Tipps

Level: 1A

Item: 00-14510

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Description
The Composition Book encourages the development of creativity and compositional skills, while reinforcing important musical concepts including music reading and notation. Although these books are correlated page-by-page with the Lesson Books, they can be used with any piano method.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-3076-1
ISBN13: 978-1-4706-3076-8
UPC: 038081126944
SKU: 00-14510

More about this title

About the Authors

Valerie Cisler

Deanna Walker-Tipps
Deanna Walker-Tipps is a faculty member at Vanderbilt University with formal training in both performance and composition. She earned her Bachelor's degree in Piano Performance Pedagogy from Eastern New Mexico University and completed her Master's degree in Composition at Peabody Conservatory of Johns Hopkins University.

Her compositional work has been recognized through multiple commissions and performances by accomplished ensembles. Walker-Tipps received third place in the MTNA Distinguished Composer of the Year competition for her Suite for Two Pianos, which had been commissioned by the Oklahoma Music Teacher's Association. Her chamber works include Theme and Motivations for piano trio, commissioned by Concertime and premiered by Tulsa's Trio Brioso, and Trio for saxophone, flute and piano, which premiered in Chicago following a commission from the University of Nebraska at Kearney.

In addition to her composition work, Walker-Tipps has contributed to music education as a co-author of Alfred's Basic Piano Library Composition Books, Levels 1–3. She is an active speaker at MTNA conventions at national, division, state and local levels. Living Arts of Tulsa and the Oklahoma Arts Council presented a concert of her compositions in April 1998.

Why we love this

Students move from passive note-readers to active composers on page one. The book reinforces every concept they encounter in their lesson work while giving them genuine ownership over what they create, which transforms how they hear and understand music notation.

What to expect

Creative, manageable, and genuinely fun. Students compose short melodies and pieces that sound musical even though they're simple, building real confidence in their ability to make music rather than just play it.

Who it's for

Beginning piano students (typically ages 5-8) who are working through Level 1A material and need structured yet open-ended opportunities to compose. Parents and teachers seeking to develop musical thinking beyond reading and technique will find this book essential.

How to get the most out of it

  • Encourage students to play their compositions aloud immediately after writing them, even simple ones. Hearing their own work reinforces the connection between written symbols and actual sound.
  • Guide students to notate dynamics and tempo markings once their melodies are complete. This second pass deepens their understanding of how notation shapes interpretation.
  • Have students share finished compositions with peers during lesson time. Performing each other's work builds confidence and shows that composition is a natural extension of playing.

How to use it

Work through the composition pages alongside the corresponding lesson pages so that students reinforce new concepts immediately through their own writing. Compile student compositions into a class collection or recital program near the end of the term.

Skills your students will build

  • Composing short melodies within a specific range or key
  • Understanding music notation as a tool for recording and sharing ideas
  • Applying rhythmic patterns and note values to original work
  • Reinforcing treble clef reading through creative output
  • Developing aural connection between notation and sound

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