Alfred's Basic Group Piano Course, Book 3 Cover Image

Alfred's Basic Group Piano Course, Book 3: Piano Book

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Alfred's Basic Group Piano Course, Book 3 Cover Image

Alfred's Basic Group Piano Course, Book 3: Piano Book

A Course Designed for Group Instruction Using Acoustic or Electronic Instruments

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco / adapted by Gayle Kowalchyk and E. L. Lancaster

Level: 3

Item: 00-18092

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Description
This unique method was designed specifically for young students who are beginning piano study in a group setting. This easy-to-teach beginners course includes all of the most important components to develop comprehensive musicians and performers. CDs and MIDI Disks have accompaniments that range from simple drum patterns to full orchestrations that add musical interest and motivate students.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-0217-1
ISBN13: 978-0-7390-0217-9
UPC: 038081158389
SKU: 00-18092

More about this title

About the Author: Willard A. Palmer

Willard A. Palmer

Willard A. Palmer authored nearly 800 published compositions spanning accordion, piano, Hammond organ, guitar, and choral music, many of which have been performed and published internationally in German, Japanese, French, Dutch, and Spanish editions. His foundation in performance began early: he played piano on radio broadcasts at age 13 and studied under Mae Vardeman, whose emphasis on proper technique and improvisation shaped his lifelong approach to music making. Palmer continued performing accordion and piano throughout his college years at Whitworth College and Millsaps College in Mississippi, later earning his Bachelor's degree before pursuing advanced study at the Conservatory of Leipzig on a two-year scholarship.

At the University of Houston, Palmer taught accordion to college students for 18 years and established the first successful college-level accordion curriculum in the United States. His scholarly work in Classical and Baroque music ornamentation gained international recognition, leading to his appointment as director of the Riemenschneider Bach Institute and authorship of the acclaimed Alfred Masterworks series. Palmer received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983 in recognition of his contributions to musicological research and music education. He also served as choir director of Memorial Lutheran Church in Houston for many years.

Why we love this

This book delivers exactly what group piano teachers need: structured progression that works for multiple learners at once, with accompaniments that transform simple exercises into genuinely musical experiences. The orchestrated tracks motivate students far more than bare notation, and the pedagogy reflects Palmer's decades of experience designing music that beginners actually want to play.

What to expect

Engaging and progressive. Students move beyond isolated exercises into actual musical arrangements that feel complete, supported by orchestral accompaniments that make even simple melodies sound polished and satisfying.

Who it's for

Beginning piano students in group lessons who are ready to expand beyond foundational repertoire into more developed pieces. Instructors teaching multiple students simultaneously will appreciate how the method accommodates mixed readiness levels within a single classroom or studio group setting.

How to get the most out of it

  • Encourage students to listen to the accompaniment track before playing through a piece; hearing the orchestral colors helps them understand how their piano part fits into the larger musical picture.
  • Have students identify the harmonic changes in pieces before they play them, so they understand the chord progression their left hand is supporting rather than just executing patterns mechanically.
  • Use the MIDI files to slow down tempos during initial learning; students who play along at a reduced speed build security faster than those who rush to match a standard recording.
  • Ask students to play without accompaniment in group lessons once they've learned a piece, so they develop independence and can hear any rhythmic or pitch adjustments needed.

How to use it

Use Book 3 as the core curriculum for group piano classes once students have completed Books 1 and 2. This level works well alongside beginner recital programming, where students can perform pieces from the book with pre-recorded accompaniment for a more sophisticated concert sound.

Skills your students will build

  • Reading and performing in multiple keys with sharps and flats
  • Playing accompaniment patterns that support melodic lines
  • Coordinating independent hand parts at moderate tempos
  • Understanding phrase structure and musical form
  • Playing with rhythmic precision and musical expression alongside recorded accompaniment

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