Alfred's Basic Group Piano Course, Book 2 Cover Image

Alfred's Basic Group Piano Course, Book 2: Piano Book

$14.99 USD
Sale price  $14.99 USD Regular price 
Skip to product information
Alfred's Basic Group Piano Course, Book 2 Cover Image

Alfred's Basic Group Piano Course, Book 2: Piano Book

A Course Designed for Group Instruction Using Acoustic or Electronic Instruments

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco / adapted by Gayle Kowalchyk and E. L. Lancaster

Level: 2

Item: 00-17376

$14.99
Shipped

One moment…

Description
This unique method was designed specifically for young students who are beginning piano study in a group setting. This easy-to-teach beginners course includes all of the most important components to develop comprehensive musicians and performers. CDs and MIDI Disks have accompaniments that range from simple drum patterns to full orchestrations that add musical interest and motivate students.

Alfred's Basic Group Piano Course, Book 2: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio

Track 19

0:00
0:00
Sample Video
Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-0216-3
ISBN13: 978-0-7390-0216-2
UPC: 038081152615
SKU: 00-17376

More about this title

About the Author: Willard A. Palmer

Willard A. Palmer

Willard A. Palmer stands among the most prolific music educators in American history, having composed and arranged nearly 800 works spanning piano, accordion, guitar, organ, and choral music. His output has circulated globally, translated into German, Japanese, French, Dutch, and Spanish, and his influence on pedagogical method design remains foundational to music instruction today. Palmer studied at the Conservatory of Leipzig on scholarship and later taught accordion at the University of Houston for 18 years, establishing the first college-level accordion program.

Palmer's scholarly work in Baroque ornamentation earned him international recognition and led to the creation of the Alfred Masterworks series, a landmark collection rooted in his meticulous research. He held the position of director at the Riemenschneider Bach Institute and served as choir director of Memorial Lutheran Church in Houston for many years. His pedagogical philosophy emerged from his own training under Mae Vardeman, who cultivated his improvisational skills through rigorous technique study. Palmer received doctoral degrees in humanities (1971) and music (1983) in recognition of his contributions to music scholarship and education.

Why we love this

This book succeeds because it treats young group pianists as serious musicians from day one. Palmer and his co-authors balance technical foundation with genuine musical expression, ensuring that even early pieces reward careful listening and thoughtful interpretation rather than just mechanical accuracy.

What to expect

These pieces strike a balance between purposeful instruction and genuine music-making. Whether a student is working through a rhythmic study or a short melody with accompaniment, the writing feels intentional and rewarding rather than formulaic.

Who it's for

This book serves young pianists (typically grades 1-4) in group piano classes, studio settings with multiple beginners, or homeschool music programs. It works well for students with no prior piano experience who benefit from learning alongside peers and need structured guidance through fundamental technique and music-reading skills.

How to get the most out of it

  • Bring the accompaniment recordings into rehearsal early and let students hear the full orchestration before they begin learning their part. This builds ownership and shows them where their playing fits into a larger musical picture.
  • When introducing a new piece, have the group listen to the recording first without the score. Let them absorb the melody and harmonic color before tackling notation.
  • Encourage students to notice dynamic markings and pedal indications as integral to the composition, not as optional refinements. Point out specific passages where these choices shape the character.
  • Use the simpler drum-pattern accompaniments early in the book to establish rhythmic confidence, then progress to fuller orchestrations as students gain security.

How to use it

Book 2 assumes completion of Book 1 and progresses students toward intermediate repertoire and solo performance. Use it as the core curriculum for group piano classes meeting once or twice weekly, pairing the supplementary recordings with in-class performance so students experience ensemble playing and personal musicianship development together.

Skills your students will build

  • Reading notes in treble clef across the grand staff
  • Recognizing and executing common time signatures and rhythmic patterns
  • Understanding and applying basic dynamic markings and articulation
  • Pedal technique and when to use the sustain pedal musically
  • Hand independence and two-hand coordination
  • Sight-reading strategies for moderate-difficulty material
  • Listening skills and ensemble awareness through accompaniment recordings

You May Also Like