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Album II: Piano Book

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Album II Cover Image

Album II: Piano Book

By Franz Liszt

Item: 00-K03622

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Description
Three Liebestraeume * Nuages Gris * La Gondole Lugubre I, II * Hungarian Rhapsody II (Easy) * Valse Melancholique * Waldesrauschen: Les Jeux d'eau a la Villa D'Este * St. Francis' Sermon to the Birds * St. Francis Walking Over the Waves

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Album II: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 108
ISBN10: 0-7692-7125-1
ISBN13: 978-0-7692-7125-5
UPC: 029156687675
SKU: 00-K03622

More about this title

About the Composer: Franz Liszt

Franz Liszt (1811-1886) stands as one of the nineteenth century's most innovative pianists and composers. His technical mastery and compositional ambition transformed the piano's expressive range, establishing it as an instrument capable of orchestral color and philosophical depth. Liszt's works demand virtuosity but reward it with profound musical and spiritual content, making his compositions central to advanced piano pedagogy.

Beyond the concert hall, Liszt's influence shaped how we think about music education itself. He championed new music, mentored the next generation of composers, and believed deeply that technical facility should serve artistic expression rather than overshadow it. His piano works remain touchstones for students learning that mastery and meaning go hand in hand.

Why we love this

This collection spans Liszt's most lyrical and introspective writing, offering pianists a chance to move beyond the fireworks many associate with his name. The sustained focus on melody, harmonic color, and emotional restraint makes these pieces ideally suited to pianists developing interpretive maturity rather than those still chasing technical display. Programming material from this book signals to audiences that your students understand Liszt's full artistic range.

What to expect

These works inhabit the Romantic interior landscape: tender and yearning, occasionally restless, often contemplative. Liszt's harmonic language here feels both lush and modern, with unexpected chromatic shifts that suggest depths beneath the surface. There is melancholy throughout, but never despair; instead, a quiet acceptance of beauty's transience.

Who it's for

Advanced pianists seeking substantial repertoire that demands technical security but prioritizes artistic interpretation and emotional depth. Teachers working with students ready to explore Liszt's compositional sophistication beyond the familiar virtuosic showcase pieces. Recital pianists building programs that reveal different facets of the Romantic piano tradition.

How to get the most out of it

  • Balance the romantic ornamentation in the Liebestraeume against clear melodic lines; ornament should illuminate the song, not obscure it.
  • In the water pieces (Waldesrauschen and Les Jeux d'eau a la Villa D'Este), use the sustain pedal to blend chords while keeping individual notes in the figuration articulate.
  • Let the Hungarian Rhapsody II breathe during its lyrical passages; the virtuosic sections will land with greater impact if not rushed.
  • Approach the two St. Francis pieces as meditative studies in texture and register rather than character pieces; the spiritual content emerges through subtlety.

How to use it

Include individual pieces in recital programs to showcase interpretive range and variety of texture. The Liebestraeume work well as a linked group, while the water pieces make a compelling thematic pairing. Consider programming one or two selections alongside other Romantic salon music to illustrate how Liszt's harmonic language influenced his contemporaries.

Skills your students will build

  • Sustain pedal control and blending across varied harmonic progressions
  • Melodic shaping and phrasing in extended lyrical passages
  • Chromatic harmony reading and voice-leading awareness
  • Texture differentiation between ornamental figuration and structural voices
  • Interpretive decision-making in music with limited tempo and dynamic markings
  • Fluency with extended Romantic-era harmonic language and key relationships

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