Ain't Misbehavin' Cover Image

Ain't Misbehavin': Choral Octavo SoundTrax CD

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Ain't Misbehavin' Cover Image

Ain't Misbehavin': Choral Octavo SoundTrax CD

From the Musical Ain't Misbehavin'

Words by Andy Razaf, music by Thomas "Fats" Waller and Harry Brooks / arr. Larry Shackley

Item: 00-28624

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Description
Here's a jammin' and jivin', red hot, razzmatazz setting of the title song from the musical Ain't Misbehavin', just perfect for show, jazz, or concert choirs.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081311685
SKU: 00-28624

More about this title

About the Composer: Thomas "Fats" Waller

Thomas "Fats" Waller (1904-1943) was a pianist, organist, composer, and entertainer who shaped the sound of stride piano and swing-era jazz. His technical mastery at the keyboard was matched only by his gift for melody and his charismatic stage presence; he could make audiences laugh and move simultaneously, a rare combination that translated directly into his songwriting.

Waller composed "Ain't Misbehavin'" with Harry Brooks in 1929, and the song became his signature piece. It appeared in the Broadway revue of the same name and later in films, cementing Waller's place in American popular music. For music educators, Waller represents a vital bridge between jazz idiom and theatrical tradition, showing students how swing rhythm and blues feeling can elevate a simple, catchy melody into something timeless.

Why we love this

Larry Shackley's arrangement captures the infectious energy of the original without sacrificing singability or clarity. What makes this stand out is how it balances accessibility with genuine jazz character; your singers get to inhabit the swagger of the song rather than simply perform it. The recorded accompaniment keeps things locked in while your choir discovers the rhythmic confidence this tune demands.

What to expect

You get the sensation of a 1920s nightclub filtered through the joy of ensemble singing. There's sass and confidence here, but also warmth and playfulness; the song radiates good humor without becoming precious or overly cute. Your singers step into a world of style and rhythm that feels both historically rooted and immediately alive.

Who it's for

Show choirs will find an immediate vehicle for entertainment and style; concert choirs gain a chance to explore jazz idiom with solid pedagogical grounding. Any director seeking repertoire that energizes an audience while building musicianship will connect with this piece.

How to get the most out of it

  • Lean into the swing feel from the first rehearsal. Straight eighth notes will drain the life out of this arrangement; work the triplet subdivision so it becomes instinctive, not forced.
  • Shape the phrasing around the lyrical content. The humor and attitude matter as much as the notes, so encourage singers to really sell the storytelling in their facial expression and vocal delivery.
  • Balance the harmonic parts carefully so the chord colors register without overweight bass voices. This arrangement shines when the voicing sits in a clear, almost glowing register.

How to use it

Drop this into a concert that touches on American songbook standards or Broadway classics for instant audience delight. It also pairs well alongside other jazz-influenced pops as a palette-cleansing encore or as the showstopping finale to a set focused on secular, groovy repertoire.

Skills your students will build

  • Singing with swing eighth-note articulation
  • Balancing jazz harmony voicings in four-part writing
  • Interpreting rhythmic punctuation and syncopated ensemble figures
  • Maintaining rhythmic precision with recorded accompaniment
  • Projecting confidence and character through vocal delivery

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