Ahrirang Sheet Music Preview

Ahrirang: SATB Choral Octavo

Korean Folk Song / arr. Robert DeCormier

Item: 00-PO-0003527

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Minimum order quantity: 20 copies

Description
Instantly recognizable as probably the most well-known Korean folk songs known in this country, this setting by Robert DeCormier is exceptionally beautiful! Very haunting! This title is available in Music Prodigy.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0003527

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier studied at the Juilliard School and built a career at the intersection of classical conducting, Broadway, and American folk music. He served as music director of the New York Choral Society for seventeen years, worked as conductor and arranger for Harry Belafonte, and from 1978 to 2010 held the position of music director for Peter, Paul and Mary. He also taught conducting and ensembles at the Eastman School of Music from 1972 to 1977.

Beyond the concert hall, DeCormier founded and directed Counterpoint, a professional vocal ensemble based in Vermont, and helped establish the Vermont Symphony Orchestra Chorus in 1993. His arranging output spans African-American spirituals, American folk songs, and international repertoire. He received the Vermont Governor's Award for Excellence in the Arts in 2002 and was honored with a Lifetime Achievement Award from the New England Choral Arts Foundation in 2006.

Why we love this

DeCormier's arrangement honors the emotional core of "Arirang" while making it accessible for SATB choirs at a wide range of abilities. The setting captures the song's haunting quality without sacrificing singability, and its contest-ready status means you can program it with confidence whether you're preparing for festival or concert.

What to expect

The arrangement wraps you in the melancholic beauty that made "Arirang" a beloved folk standard. Haunting and introspective, the piece invites singers and listeners alike into a quiet emotional space where every phrase carries weight.

Who it's for

This octavo suits choirs of all levels looking to expand their world music repertoire. Whether you're building a concert around multicultural repertoire or need a distinctive piece for festival competition, the accessibility of DeCormier's writing makes it a strong choice.

How to get the most out of it

  • Shape the melody with a gentle legato line; the beauty of this folk song emerges from sustained, connected phrasing rather than rhythmic precision.
  • Balance the inner voices carefully so they support rather than obscure the top line. The arrangement's power comes from transparency and blend.
  • Honor the folk origins by keeping the tempo flexible and allowing the text to breathe naturally at phrase endings.
  • Attend to vowel consistency across all four parts, especially in unison or homophonic passages, to create a unified, resonant sound.

How to use it

Pair this with other world music selections to create a global village concert program, or feature it as a standalone showcase of folk tradition alongside American spirituals or other arranged folksongs. Its contest-ready quality also makes it ideal when you want a culturally significant piece that can hold its own in festival competition.

Skills your students will build

  • Sustaining long phrases with legit breath control
  • Blending four-part harmony in both homophonic and independent voice textures
  • Interpreting folk music with appropriate phrasing and emotional restraint
  • Reading a straightforward SATB score with clear voice leading

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