Agnus Dei Cover Image

Agnus Dei: TTB Choral Octavo

$1.80 USD
Sale price  $1.80 USD Regular price 
Skip to product information
Agnus Dei Cover Image

Agnus Dei: TTB Choral Octavo

By John Leavitt

Item: 00-38039

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.80
Shipped

One moment…

Description
This, the stirring final movement from John Leavitt's world-famous Missa Festiva, is presented in newly engraved octavos, available for all choirs. A superb new chamber orchestration enhances the musical texture and color of this captivating modal work.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Agnus Dei: TTB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081425115
SKU: 00-38039

More about this title

About the Composer: John Leavitt

John Leavitt is a prolific composer and arranger whose choral works have become staples in American music education and performance. His compositions span sacred and secular genres, with a particular gift for crafting accessible yet sophisticated choral writing that serves intermediate through advanced ensembles. Leavitt's Missa Festiva stands among his most celebrated works, performed regularly by choirs at all levels and in concert settings worldwide.

Why we love this

This excerpt distills the emotional power of Leavitt's full mass into a self-contained choral moment that works beautifully as a standalone selection. The newly engraved octavos make the part-writing crystal clear, and the chamber orchestration adds genuine textural depth without overwhelming a choir of modest size. Programming this gives you a genuine showstopper that lands with real impact.

What to expect

The modal harmonic language creates an almost timeless quality, neither strictly traditional nor starkly modern. There's a hushed reverence in the writing that asks the choir to settle into sustained tones and careful listening, building to moments of genuine fervor before returning to contemplation. The text and music work in close partnership to create an experience of spiritual focus.

Who it's for

TTB choirs looking for sacred repertoire with real substance and liturgical weight will find this invaluable. It suits community choirs, church choirs, college and high school ensembles with strong male voices, and any group ready to tackle modal harmony and dynamic interpretation. The available orchestral parts make it equally viable for choirs that want to perform with accompanying instruments.

How to get the most out of it

  • Balance the harmonic layers carefully during the modal passages; the color comes from the interplay between parts, not from any one voice dominating.
  • Shape the longer phrases with subtle dynamic swells rather than holding at a single dynamic level; this honors the contemplative yet elevated character of the text.
  • Use the recorded accompaniment to lock tempos and phrasing during rehearsal, then pull back gradually to let the choir find its own musical independence.
  • Pay attention to vowel consistency across the three parts, especially in the sustained moments where blend directly affects the modal sonority.

How to use it

This functions perfectly as a choral finale for a concert devoted to sacred music or as a powerful closing statement for any mixed-repertoire program. Include it in a liturgical context where the mass excerpt serves the worship experience directly. Its eight-page length and moderate difficulty make it feasible for festivals or choral competitions where you want to showcase a choir's ability to handle both technical precision and emotional depth.

Skills your students will build

  • Reading and performing modal harmony
  • Sustaining pitch and blend in four-part writing
  • Dynamic shaping and musical phrasing across longer phrases
  • Ensemble balance and listening in close-voiced TTB texture
  • Responding to text expression and liturgical context in sacred music

You May Also Like