After Blue Cover Image

After Blue: Mixed Instruments - Miscellaneous Ensemble Score & Parts

$47.95 USD
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After Blue Cover Image

After Blue: Mixed Instruments - Miscellaneous Ensemble Score & Parts

By Richard Festinger

Level: Advanced

Item: 98-EP67897

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Description
After Blue was commissioned by the Paul Fromm Music Foundation at Harvard University for the New Millennium Ensemble. Richard Festinger uses the sextet's diverse instrumentation to create 'a kaleidoscopic panorama of strongly etched lines of constantly shifting vibrant color.' The first and last sections of the 16-minute work are thematically related and 'bright and extroverted,' while the centerpiece becomes 'dramatic and atmospheric.' After Blue is a companion to an earlier work by Festinger, A Serenade for Six.

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Additional Details
Publisher: Edition Peters
ISBN10: 0-300-74769-1
ISBN13: 979-0-300-74769-9
UPC: 9790300747699
SKU: 98-EP67897

More about this title

About the Composer: Richard Festinger

Richard Festinger is a composer whose work frequently explores color and texture through unconventional instrumental combinations. His commissions from major institutions, including the Paul Fromm Music Foundation at Harvard University, reflect his reputation for writing music that challenges performers to discover new sonic possibilities within familiar ensembles.

Why we love this

After Blue succeeds in making a sextet sound like an orchestra. Festinger's command of orchestration transforms six instruments into a vehicle for real dramatic arc: the opening brightness dissolves into something genuinely unsettling at the work's core before resolving into a reimagined statement of the opening material. This is the kind of piece that reminds audiences why chamber music matters.

What to expect

After Blue moves through distinct emotional territories: opening with clarity and extroverted energy, the middle section transforms into something darker and more introspective before emerging back into light. The 16-minute arc feels carefully controlled, neither rushed nor indulgent.

Who it's for

Advanced chamber ensembles with flexible instrumentation looking for substantial contemporary repertoire that rewards careful rehearsal. This work suits university ensembles, professional new music groups, and advanced high school programs with strong musicians across multiple instrumental families.

How to get the most out of it

  • Attend closely to the shifting instrumental balances throughout the work. The 'kaleidoscopic' quality depends on clarity of individual lines even when multiple instruments are sounding together.
  • The contrast between the bright outer sections and the dramatic centerpiece requires real commitment from the ensemble to shift both tempo and dynamic relationships. This isn't just playing louder or softer; it's a change of character.
  • Because the first and last sections are thematically related, use rehearsal time to hear and reinforce the connection between them. The return should feel inevitable rather than repetitive.

How to use it

This piece anchors a contemporary music concert or a chamber music series devoted to 21st-century repertoire. Because it is substantial enough to stand on its own but brief enough to pair with other works, it works equally well as a centerpiece or as part of a broader thematic program exploring instrumental color.

Skills your students will build

  • Balancing mixed instrumental timbres in ensemble contexts
  • Sustaining character and dramatic tension across extended formal structures
  • Reading contemporary notation and articulation techniques
  • Coordinating complex rhythmic relationships across diverse instrumental lines
  • Responding to frequent dynamic and textural shifts with ensemble precision

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