African Noel Cover Image

African Noel: SATB divisi Choral Octavo

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African Noel Cover Image

African Noel: SATB divisi Choral Octavo

Arr. André J. Thomas

Item: 00-LG52747

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Description
Easy to sing tonally, but with divisi voices, constant rhythmic patterns add vitality and intensity to this arrangement. Sure to be the highlight of your Christmas program! Add the optional congas and tambourine for an authentic effect.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, African Noel: SATB divisi Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 12
UPC: 783556018209
SKU: 00-LG52747
Instrumentation: Opt. Congas & Tambourine

More about this title

About the Arranger: Andre J. Thomas

Andre J. Thomas

André J. Thomas directs choral activities at Florida State University, where he holds the Owen F. Sellers Professorship and teaches choral music education. His academic preparation includes degrees from Friends University, Northwestern University, and the University of Illinois, and his work has taken him across the United States, Europe, Asia, and Australia as both adjudicator and clinician.

Thomas has guest-conducted major orchestras and choirs internationally, from the Birmingham Symphony Orchestra to China's People's Liberation Orchestra. Since 1988, he has directed the Tallahassee Community Chorus while maintaining an active career as composer and arranger with publishing credits through Lawson-Gould, Hinshaw Music, Mark Foster, and several other houses.

Why we love this

André J. Thomas understands how to layer rhythmic momentum without demanding technical acrobatics from singers. The divisi writing creates sonic depth while staying firmly within reach of intermediate choirs, and the optional percussion transforms this from a solid choral selection into a genuine program centerpiece with genuine cultural authenticity rather than superficial exotic coloring.

What to expect

Celebratory and propulsive, with the kind of joyful drive that comes from African rhythmic sensibilities applied to Christmas repertoire. The constant rhythmic patterns create forward momentum that never tips into frantic; instead, they establish a groove that feels both festive and grounded.

Who it's for

Intermediate to advanced choirs preparing a Christmas program who want something beyond standard European carols. The divisi writing assumes singers who can follow two distinct melodic lines within their section, and the rhythmic demands call for a group ready to execute precise ensemble work.

How to get the most out of it

  • Establish the rhythmic patterns in rehearsal without accompaniment first. Once your singers internalize the underlying pulse and the interlocking rhythms between voice parts, adding the congas and tambourine becomes enhancement rather than competition.
  • Balance the divisi soprano and alto lines carefully; they often carry the rhythmic profile of the arrangement, so neither should disappear into harmonic filler.
  • If you include the optional percussion, rehearse with the player multiple times before the final week. The congas especially require sensitive listening to blend with voices rather than overshadow them.
  • Let the tonality breathe during the slower sections. The rhythmic vitality of the arrangement can overshadow moments meant for lyrical warmth if you push tempo uniformly.

How to use it

Position this as the second half closer on your Christmas concert, where its energy will send the audience out energized rather than reflective. It pairs well on a program that mixes traditional holiday music with multicultural arrangements, anchoring your commitment to diverse sacred musical traditions.

Skills your students will build

  • Singing independent divisi lines while maintaining harmonic awareness
  • Executing consistent rhythmic patterns across extended passages
  • Interpreting non-Western rhythmic idioms authentically
  • Blending vocally with optional percussion accompaniment
  • Responding to and executing dynamic shadings that enhance rhythmic profiles

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