Adagio (from <I>Sonata in D</I>) Cover Image

Adagio (from <I>Sonata in D</I>): 3 Clarinets, Bass Clarinet Score & Parts

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Adagio (from <I>Sonata in D</I>) Cover Image

Adagio (from Sonata in D): 3 Clarinets, Bass Clarinet Score & Parts

By Baldassare Galuppi / arr. David Marlatt

Level: Medium

Item: 81-CC9911

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Description
Originally for piano, this Adagio has been elegantly transcribed for an all-clarinet ensemble consisting of 3 clarinets and a bass clarinet. This is a lyrical piece and the parts are all interesting. Lyical pieces, such as this one, have many uses including weddings, concerts and church services. All parts are fairly easy and would require very little rehearsal time to prepare.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-017-6
ISBN13: 978-1-55472-017-0
UPC: 685462005499
SKU: 81-CC9911
Instrumentation: 3 Clarinets, Bass Clarinet

More about this title

About the Composer: Baldassare Galuppi

Baldassare Galuppi (1706-1785) was a Venetian composer whose keyboard works and operas shaped the galant style of the mid-eighteenth century. His sonatas and keyboard pieces are models of clarity and melodic grace, balancing the intellectual rigor of the Baroque with the emerging elegance of the Classical period.

Galuppi's music remains valuable for music education because it demonstrates how to write singing, lyrical lines with economical means. His Sonata in D exemplifies this gift for melody without unnecessary ornamentation, making transcriptions like this one both musically rewarding and pedagogically accessible.

Why we love this

Galuppi's melodic gift translates beautifully to the clarinet family, and David Marlatt's transcription distributes the harmonic and melodic interest evenly across all four parts so no one voice feels secondary. The piece works for weddings, services, and concerts without demanding weeks of rehearsal, making it practical repertoire for groups building their chamber catalog.

What to expect

Contemplative and elegant, with the kind of effortless melody that feels inevitable once you hear it. The four-part texture creates warm harmonic color; the piece asks for singing, careful listening between parts, and a sense of the music's gentle architecture rather than technical display.

Who it's for

Chamber ensembles with three or four clarinet players looking to expand their repertoire beyond contemporary or popular arrangements. The accessible technical demands make it suitable for intermediate players who have solid fundamentals and can sustain a legit tone without forcing.

How to get the most out of it

  • Balance the melody across the three B-flat clarinets rather than letting it sit always with the first clarinet; this maintains transparency and allows for shared musical responsibility.
  • Use the bass clarinet's lower register to anchor the harmonic foundation, but avoid heavy-handed attacks that muddy the lyrical character.
  • Shape the phrases with attention to breath points and harmonic rhythm, letting the music breathe in the spaces between musical statements rather than pushing through to the next phrase boundary.

How to use it

Program this as part of a chamber music recital, a concert's quieter second half, or as prelude music for a wedding or special service. Its moderate length and warm sound make it ideal for programming alongside other Baroque or early Classical wind arrangements without the concert feeling top-heavy.

Skills your students will build

  • Balancing melody and harmony across a four-part clarinet ensemble
  • Sustaining lyrical phrases with consistent tone quality
  • Listening for tuning and blend in close harmonies
  • Reading parts written in different registers of the clarinet family

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