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Ada Sketches: Mezzo-soprano, Flute, Clarinet in B, Percussion

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Ada Sketches: Mezzo-soprano, Flute, Clarinet in B, Percussion

for Mezzo-soprano and Chamber Ensemble

By Emily Howard / Words by Laura Tunbridge

Item: 98-EP73330

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Description
Ada sketches by Emily Howard is a short dramatic scena for mezzo-soprano and chamber ensemble that imagines an inner world of mathematician Ada Lovelace. The work is concerned with creative processes with Lovelace (mezzo) experiencing a number of different creative discoveries as she explores a mathematical equation as solved by Charles Babbage's hypothetical 1842 Analytical Engine, a prototype for the world's first computer. As she works, a musical solution to the equation gains a life of its own, causing Lovelace to contemplate her own position in history. The text was written by Professor Laura Tunbridge. Ada sketches was first performed on May 12, 2011 as part of Soundings X, at the Austrian Cultural Forum, London.

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Additional Details
Series: Peters Contemporary Chamber Series
Publisher: Edition Peters
Page Count: 52
ISBN10: 0-577-01773-X
ISBN13: 979-0-577-01773-0
SKU: 98-EP73330
Instrumentation: Mezzo-soprano, Flute, Clarinet in B, Percussion

More about this title

About the Composer: Emily Howard

Emily Howard is a British composer known for inventive orchestration and chamber works that bridge contemporary concert music with theatrical storytelling. Her output spans opera, instrumental works, and vocal music that often engages with scientific, historical, and philosophical subjects, bringing intellectual rigor to the concert hall.

Why we love this

Ada Sketches offers mezzo-soprano performers a sophisticated dramatic vehicle that sits comfortably between art song and musical theater without requiring full operatic resources. The chamber ensemble (flute, clarinet, percussion) creates an intimate soundworld that lets the singer's interpretive choices shape the dramatic arc, and the subject matter—Ada Lovelace's creative mind at work—gives singers genuine dramatic stakes beyond conventional recital fare.

What to expect

The music mirrors intellectual discovery in real time, shifting between moments of clarity and abstraction as Lovelace works through mathematical concepts. The ensemble colors range from sparse and contemplative to densely layered, creating an inner landscape where mathematics becomes sound and sound becomes revelation about human creativity and legacy.

Who it's for

Mezzo-sopranos seeking contemporary repertoire with genuine dramatic substance and chamber musicians comfortable with 21st-century harmonic language and rhythmic complexity. This work suits advanced students and professional singers preparing recital programs that include new music alongside standard repertoire.

How to get the most out of it

  • Coordinate carefully with the chamber ensemble on the interplay between vocal line and instrumental material; the text and musical solution grow together, so clarity about which instrument carries the narrative weight at each moment prevents the ensemble from overwhelming the mezzo's voice.
  • Prepare the percussion part with attention to color and articulation choices; the rhythmic underpinnings of the mathematical exploration need precision without rigidity so the mezzo can breathe expressively over them.
  • Study Laura Tunbridge's text alongside the score to identify where Lovelace's emotional state shifts as she contemplates her historical position; these moments are where the mezzo's interpretation will most affect the ensemble's response.

How to use it

Program Ada Sketches as a centerpiece of a contemporary chamber music recital, pairing it with other works that explore the intersection of text and instrumental color. It also works as a standalone concert piece, perhaps with a brief introduction about Lovelace's historical significance, or as part of a thematic program celebrating women in science and mathematics.

Skills your students will build

  • Dramatic pacing in contemporary vocal music with irregular phrasing and extended techniques
  • Coordinate rhythmic precision between soloist and chamber ensemble without sacrificing expressive freedom
  • Interpretive depth in settings where text and musical structure are tightly integrated
  • Ensemble balance and blend in mixed instrumental combinations
  • Confidence with extended instrumental techniques in clarinet and flute parts

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