Accent on Christmas & Holiday Ensemble Cover Image

Accent on Christmas & Holiday Ensemble: Flute Book

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Accent on Christmas & Holiday Ensemble Cover Image

Accent on Christmas & Holiday Ensemble: Flute Book

Duets and Trios for Flexible Instrumentation Correlated with Accent on Achievement, Book 1

By John O'Reilly and Mark Williams

Item: 00-22227

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Description
Accent on Christmas & Holiday Ensembles is an exciting book of duets, trios, and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Since the instrumentation is flexible, any combination of instruments can play together.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-3351-4
ISBN13: 978-0-7390-3351-7
UPC: 038081226088
SKU: 00-22227
Instrumentation: Flute

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams established himself as one of the foremost composers writing for school bands and orchestras. He co-authored the widely used Accent on Achievement Band Method and published more than 200 compositions throughout his career. His expertise in elementary band instruction came from years of teaching music in Washington state.

Williams's compositions earned significant recognition, including wins at the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. His work extended across band, orchestra, and choral settings, reflecting his versatility as a composer. He held degrees from Eastern Washington University in education and earned credentials as both a woodwind performer and arranger for the 560th Air Force Band.

As a clinician and guest conductor, Williams traveled extensively throughout North America and beyond, visiting 34 states, five Canadian provinces, and Australia. Beyond his composing and conducting schedule, he remained an active bassoon performer and served as Conductor and Artistic Director for the Spokane British Brass Band. A Chicago native, Williams spent his formative years and professional career based in Spokane, Washington.

Why we love this

These arrangements bridge the gap between holiday fun and genuine musicianship. The flexible instrumentation means you're not hunting for missing parts or doubling players awkwardly; instead, you can compose your ensemble from whoever shows up that day. The duets, trios, and quartets format also lets you feature smaller groups during rehearsal as confidence-builders before full-ensemble performances.

What to expect

Joyful and straightforward. These arrangements capture the warmth of holiday tradition without getting bogged down in complexity. Whether your flutes are playing a secondary role in a quartet or carrying a melody through a trio, the writing feels singable and musical from the first read-through.

Who it's for

Flute players working from Accent on Achievement Book 1 who are ready for ensemble work beyond full-band context. The flexible format also works for studio classes, mixed-ability rehearsals, or holiday performance prep with limited instrumentation.

How to get the most out of it

  • Balance the melody and accompaniment carefully in trio and quartet textures. Flutes often carry the tune, but resist the urge to dominate; let the harmony parts breathe so the arrangement sounds full rather than top-heavy.
  • Coordinate articulation across parts to unify phrasing. Even in flexible instrumentation groups, matching tonguing style makes the ensemble sound intentional rather than scattered.
  • Approach the holiday material with forward momentum. These arrangements work best when they feel energetic and celebratory, not tentative.

How to use it

Slot these pieces into late fall rehearsals when full ensemble focus might fracture before winter concerts. They work beautifully for sectional days, allowing smaller groups to perform in informal settings, or you can pull a few into the main concert program itself. The flexibility means you can adapt on the fly if attendance changes week to week.

Skills your students will build

  • Reading and balancing parts in duo, trio, and quartet textures
  • Coordinating articulation and phrasing with limited rehearsal time
  • Playing with flexible instrumentation (adapting to who's present)
  • Maintaining musicality in holiday arrangements without oversimplifying them

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