A Yiddish Lullaby Cover Image

A Yiddish Lullaby: Concert Band Conductor Score

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A Yiddish Lullaby Cover Image

A Yiddish Lullaby: Concert Band Conductor Score

Raisins and Almonds

By Abraham Goldfaden / arr. Robert Sheldon

Grade: 1 (Very Easy)

Item: 00-37786S

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Description
"Raisins and Almonds" (Rozhinkes mit Mandlen) is a Jewish lullaby by Abraham Goldfaden (1840--1908) that has become so well-known that it is now considered a folk song. It is a common lullaby among European Jews (Ashkenazim). Correlated to Sound Innovations for Concert Band, Book 2, Level 2, this lovely arrangement of this beautiful song allows bands to play with expression and color, lending a charming and heartfelt moment to any concert.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 12
UPC: 038081439419
SKU: 00-37786S

More about this title

About the Composer: Abraham Goldfaden

Abraham Goldfaden (1840–1908) was a Romanian-born Jewish playwright, composer, and lyricist who created the modern Yiddish theater. He founded the first Yiddish-language theater company in Jassy in 1876, pioneering a new form of Jewish cultural expression that blended European theatrical traditions with Yiddish language and Jewish themes. His prolific output included plays, operettas, and songs that became central to Ashkenazi Jewish cultural life.

Goldfaden's compositions, including "Rozhinkes mit Mandlen" (Raisins and Almonds), transcended their theatrical origins to become beloved folk songs in Jewish communities worldwide. His gift for memorable melody and emotional directness made his work accessible to performers and audiences of all levels, ensuring his legacy endures more than a century after his death.

Why we love this

This arrangement captures everything that makes a lullaby pedagogically valuable: a simple, singable melody that allows young musicians to focus on tone production and phrasing rather than technical difficulty. Sheldon's orchestration respects Goldfaden's original simplicity while providing genuine color and the expressive opportunities that make concert band music rewarding to conduct and perform. It's the kind of piece that sounds far more sophisticated than its grade level suggests, making it ideal for programming moments of genuine beauty.

What to expect

A gentle, intimate moment of warmth and memory. The melody unfolds like a familiar song half-remembered, with enough harmonic support to feel complete but never cluttered. There is tenderness here without sentimentality, and a quiet dignity that honors the lullaby's roots in Jewish cultural tradition.

Who it's for

Band directors leading grade 1 ensembles or mixed-ability groups who want to introduce expressive, non-technical concert music. Students new to playing with lyrical intent will benefit from the accessibility of the material combined with the genuine musical demands of shaping a phrase with care.

How to get the most out of it

  • Shape the phrase contour as you would a vocal line; this lullaby thrives on legato connection and gentle dynamic shaping rather than rhythmic precision.
  • Balance the melodic voice so it sings clearly above the accompaniment without forcing volume; let the band's collective soft playing create intimacy.
  • Use the arrangement's harmonic colors to reinforce the emotional arc of each phrase, allowing fuller sonority during climactic moments and more restrained textures at the opening and close.
  • Resist the urge to slow down excessively; maintain a gentle forward motion that keeps the lullaby's natural flow intact while allowing room for breath and rubato.

How to use it

Place this near the close of a concert to create a reflective intermission moment or as a standalone encore that gives the audience time to settle and listen. It pairs beautifully with other folk-based arrangements or works exploring cultural heritage, offering contrast to more energetic or technically demanding pieces on the same program.

Skills your students will build

  • Singing a legato melodic line across the full range of the instrument
  • Playing with dynamic control in the soft-to-moderate range
  • Blending and balancing within an ensemble while maintaining clear voice independence
  • Interpreting and executing expressive phrasing without conductor-dependent rigidity
  • Understanding cultural context and historical significance in performance

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