A Winter Day Cover Image

A Winter Day: Choral SoundPax

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A Winter Day Cover Image

A Winter Day: Choral SoundPax

Music by Jay Althouse

Item: 00-23469

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Description
To the trained ear, this Jay Althouse original displays onomatopoeia, harmonic intricacies, and skillful vocal writing. But for most, it's a tender ballad, beautiful in its simplicity and elegant in its austerity. Any choir can master the gentle tune and every choir will enjoy its musical expressiveness. A contemporary ballad just right for wintertime concerts. Optional SoundTrax and SoundPax parts are playable by student musicians. SoundPax includes parts for fl., cl., ob., Fr. horn., bsn./cello, gtr.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Winter Day: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081237930
SKU: 00-23469
Instrumentation: SoundPax

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His career spans both publishing and composition; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has created more than 800 choral works performed worldwide, earning him recognition as a frequent recipient of the ASCAP Special Award.

Beyond his prolific output as a composer, Althouse has shaped music education through multiple channels. He has co-written children's musicals with his wife Sally K. Albrecht, edited respected vocal solo collections including Folk Songs for Solo Singers, and authored influential classroom resources such as Ready to Read Music and Accent on Composers. In 2009, his choral composition I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's Inauguration. Althouse currently resides in North Carolina and serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse strikes a rare balance here: the piece rewards both the conductor seeking musical sophistication and singers craving accessibility. The harmonic layering and onomatopoetic touches give your rehearsal something genuinely interesting to uncover, while the intuitive melody ensures your singers feel successful from the first read. Winter concert programming suddenly gets a legitimate artistic anchor rather than a placeholder.

What to expect

A Winter Day unfolds like a quiet observation; there is stillness in its austerity and warmth in its simplicity. The harmonic intricacies create subtle color and movement beneath a tune that feels almost folk-like in its directness, leaving singers and listeners with the sense of having experienced something genuine and uncluttered.

Who it's for

This piece works for any choir serious about repertoire depth, whether your singers are experienced or relatively new to part-singing. The accessible melody and elegant harmonic framework make it equally at home in a high school mixed chorus, a college chamber ensemble, or a community choir looking for contemporary material with substance.

How to get the most out of it

  • Shape the gentle melodic line with subtle dynamic contours rather than a uniform mezzo-piano; let the text guide your phrasing and allow the simplicity to breathe.
  • Balance the optional SoundPax parts carefully so that student instrumentalists support the choir without overwhelming the tender vocal writing.
  • Explore Althouse's harmonic language in sectional rehearsals; understanding the chord progressions underneath helps singers sing with intention rather than just mechanically hitting notes.

How to use it

Program this as the emotional centerpiece of a winter concert, perhaps surrounding it with contrasting holiday material or other contemporary secular works. Its gentle contemplative quality also makes it an excellent choice for concert openers or as a transition piece between more energetic selections, giving audiences a moment of reflection during your concert arc.

Skills your students will build

  • Interpreting harmonic color and understated musical expression
  • Singing with stylistic simplicity while maintaining musicality
  • Balancing choir and optional instrumental parts
  • Connecting text to melodic and harmonic gesture

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