A Winter Day Cover Image

A Winter Day: Choral Octavo SoundTrax CD

$22.95 USD
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A Winter Day Cover Image

A Winter Day: Choral Octavo SoundTrax CD

Music by Jay Althouse

Item: 00-23468

$22.95
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Description
To the trained ear, this Jay Althouse original displays onomatopoeia, harmonic intricacies, and skillful vocal writing. But for most, it's a tender ballad, beautiful in its simplicity and elegant in its austerity. Any choir can master the gentle tune and every choir will enjoy its musical expressiveness. A contemporary ballad just right for wintertime concerts. Optional SoundTrax and SoundPax parts are playable by student musicians.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081237923
SKU: 00-23468

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored with the Distinguished Alumni award. His career spans both administrative and creative work: he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has created over 800 choral works performed worldwide across choirs of all skill levels.

Althouse is a writer member of ASCAP and a frequent recipient of the ASCAP Special Award for his compositions. He has co-written children's musicals with his wife Sally K. Albrecht, compiled influential vocal solo collections including Folk Songs for Solo Singers, and authored widely used classroom resources such as Ready to Read Music and One-Page Composer Bios. His collaborative work with Albrecht on I Hear America Singing was performed at President Obama's 2009 Inauguration by the San Francisco Girls and Boys Choirs. Based in North Carolina, Althouse serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse writes with an ear for what choirs need: a melody that sits naturally in the voice, harmonies that reveal themselves with rehearsal, and emotional depth that doesn't demand technical heroics. The piece works equally well for sight-reading in early rehearsals and for polished performances weeks later. Winter programming often leans toward the grand or the overtly joyful; this ballad offers something quieter and more introspective, giving your concert a moment of genuine reflection.

What to expect

A Winter Day unfolds like a quiet moment observed from a window: serene, unhurried, with details that emerge the longer you listen. The melody feels inevitable and singable, yet the harmonies carry surprising depth and tenderness. There is restraint here, an elegance in what Althouse leaves unsaid, creating space for the choir's voices to ring with clarity and intimacy.

Who it's for

Choirs seeking a contemporary piece that is both accessible and musically substantive will find this ideal for mixed groups at any experience level. The optional instrumental parts invite ensembles with student musicians to add texture without complication. Directors programming winter concerts need repertoire that moves beyond tradition without sacrificing warmth and sincerity; this octavo delivers both.

How to get the most out of it

  • Shape the melody through careful attention to Althouse's harmonic progression; the "intricacies" in the writing work best when the harmonic movement supports the vocal line rather than overshadowing it.
  • Explore the onomatopoeia Althouse has woven into the text and music; these sound paintings reward singers who listen closely to how the notes reinforce the imagery.
  • Use the SoundTrax accompaniment in early rehearsals to establish tempo and tonality, then gradually shift to a cappella or minimal accompaniment in later run-throughs so singers develop independent intonation and blend.
  • Balance the "simplicity" of the tune with the sophistication of the voicing; avoid oversinging the melody, which can obscure the harmonic subtlety beneath it.

How to use it

Position this as a centerpiece in a winter concert's second half, where it can settle the audience after more energetic work and prepare the way for a closing spiritual or holiday selection. It pairs beautifully with other contemporary ballads or art songs that share its reflective quality. The optional instrumental parts make it flexible for ensembles that want to feature young instrumentalists without requiring a full ensemble arrangement.

Skills your students will build

  • Singing sustained, legit lines with control and proper breath support
  • Balancing melody and harmonic parts in contemporary voicing
  • Interpreting onomatopoeia and text imagery through musical expression
  • Maintaining pitch stability within complex harmonic movement
  • Blending as an ensemble while preserving individual vocal line clarity

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