A Welsh Noel: SSAB Choral Octavo
By Dave and Jean Perry
Item: 00-PO-0000336
Minimum order quantity: 20 copies
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More about this title
Why we love this
Perry's setting captures genuine festive energy without relying on oversaturated carol arrangements. The optional percussion and bell parts give you flexibility to dress it up or keep it lean depending on your rehearsal resources, and the mixed meter is genuinely musical rather than gimmicky.
What to expect
Bright and kinetic, with an understated new-age shimmer. The Welsh text setting sits naturally in the voices, and the optional bells suggest something celebratory yet intimate, far from the sentiment of traditional carols.
Who it's for
Choirs with developing singers who are ready to navigate mixed meter but need attainable part-writing. It works equally well for community choirs, school ensembles, and church choirs seeking contemporary sacred repertoire with holiday appeal.
How to get the most out of it
- Balance the treble and lower voice lines carefully in rehearsal. The dance-like character lives in clear part definition, not blended homophony.
- If adding hand drum and bells, keep them rhythmically tight and restrained; they're coloring, not driving the piece.
- Let the meter shifts breathe naturally. Avoid over-conducting the transitions; if your singers trust the text and melody, the changes will land.
- Use the recorded accompaniment to anchor tuning and tempo before you transition away from it in rehearsals.
How to use it
Place this as a concert anchor for your December programming, or pair it with one traditional carol and one other contemporary piece to build a cohesive wintertime set. The festive but not overly sentimental character makes it particularly strong in ecumenical or secular holiday concerts.
Skills your students will build
- Reading and executing simple mixed meter (primarily duple and triple)
- Singing independent SAB voicings with secure voice leading
- Balancing optional percussion parts while maintaining ensemble cohesion
- Interpreting text-driven phrasing adapted from poetry rather than liturgical texts