A Welsh Noel: SATB Choral Octavo
By Dave and Jean Perry
Item: 00-PO-0000335
Minimum order quantity: 20 copies
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More about this title
Why we love this
The mixed meter feels natural rather than forced, which is exactly what you want when you're introducing rhythmic complexity to a choir that's still building confidence. The optional hand drum and bell parts give you real flexibility: use them for a fuller, more celebratory sound, or keep things lean if your ensemble needs to focus on the vocal writing itself.
What to expect
Bright and gently bouncing, like a folk celebration with modern sensibilities. The festive quality comes through in the rhythmic drive and accessible melody rather than heavy harmonic complexity, making it feel welcoming and alive without being overwrought.
Who it's for
SATB choirs looking for fresh Christmas material that moves beyond traditional carols. It works well for intermediate choirs comfortable with mixed meter and for programs that want something with rhythmic energy and a contemporary feel.
How to get the most out of it
- Establish the dance-like pulse in rehearsal by clapping or tapping the main beat before singing through passages. The meter changes work best when the choir feels the underlying motion rather than counting consciously.
- Experiment with dynamics across the four voicings to keep energy consistent. Moving between them doesn't have to mean dropping in volume; maintain presence even in the lighter sections.
- If you're using the optional percussion, run it separately with just the singers who'll be playing. It's easy to lose vocal blend when percussionists are still learning their entrances.
How to use it
Pair this with one or two traditional carols to show how holiday music can take different forms across time and culture. It's substantial enough to anchor a winter concert segment but short enough to sit comfortably alongside larger choral works. The dance-like character makes it an excellent closer for a warmly received program.
Skills your students will build
- Reading and performing mixed meter (transitions between time signatures)
- Maintaining rhythmic integrity when moving between four different voicings
- Blending optional percussion parts with vocal lines
- Sustaining dance-like rhythmic energy across phrase structures