A Very Respectable Hobbit (from <i>The Hobbit: An Unexpected Journey</i>) Cover Image

A Very Respectable Hobbit (from <i>The Hobbit: An Unexpected Journey</i>): String Orchestra Conductor Score & Parts

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A Very Respectable Hobbit (from <i>The Hobbit: An Unexpected Journey</i>) Cover Image

A Very Respectable Hobbit (from The Hobbit: An Unexpected Journey): String Orchestra Conductor Score & Parts

By Howard Shore / arr. Bob Cerulli

Grade: 2.5

Item: 00-40432

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Description
A very playable, choice selection from the hit movie The Hobbit: An Unexpected Journey, this tune will delight audiences and players alike. Crafted specifically for beginners in their first or second year of instruction, solo sections are included which easily divide between sections to spread the fame. (2:24) This title is available in MakeMusic Cloud.

For educational usage/non-profit performances only; for professional arrangements, visit our rental library at alfred.com/rental.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Very Respectable Hobbit (from The Hobbit: An Unexpected Journey): String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Beginning String Orchestra
Publisher: Alfred Music
Page Count: 88
UPC: 038081458236
SKU: 00-40432

More about this title

About the Composer: Howard Shore

Howard Shore is a composer whose orchestral writing for film has shaped the sound of modern cinema. His work spans fantasy epics, psychological thrillers, and dramatic narratives, each score demonstrating a gift for melody that serves both emotional storytelling and instrumental clarity. His compositions have introduced generations of music students to the pleasure of playing meaningful, recognizable material.

Why we love this

Bob Cerulli's arrangement captures the tune's charm without sacrificing playability, and the built-in solo opportunities give every section a moment to shine. For a Grade 2.5 group, this hits the sweet spot between sounding genuinely musical and staying within realistic technical reach. Your students will feel like they're performing something that matters, not just an exercise.

What to expect

Warm and gentle, with the kind of melodic sincerity that makes you believe in the story unfolding. The orchestration breathes easily; nothing feels crowded or forced, and there's genuine lightness in the character.

Who it's for

Conductors building repertoire for beginning string orchestras who want authentic, engaging music that holds students' attention. This works equally well for concert performance or as a morale booster in the middle of a rehearsal calendar when students need a win.

How to get the most out of it

  • Balance the melody across sections. If the solo passage divides between violins and violas, rehearse them separately first so each group owns their material before blending.
  • Watch the dynamic shape in accompanimental figures. Sustained notes under a moving melody often fade without intention; use a light dynamic swell to keep the foundation alive.
  • Keep tempo steady during the solo sections. A conductor can lock the orchestra together by tapping a clear beat and letting the principal voices do their work without rushing.

How to use it

Program this early in a concert to establish a relaxed, friendly atmosphere before moving to more challenging repertoire. It also pairs naturally with other film music selections or works well as a spring concert opener when audiences appreciate a touch of familiarity alongside growth-oriented programming.

Skills your students will build

  • Melodic phrasing and balancing solo voices against accompaniment
  • Sustaining tone quality over longer note values
  • Reading and executing dynamic markings with intention
  • Rhythmic precision in supporting figures under active melody

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