A Thousand Years: SSA Choral Octavo
Words and music by David Hodges and Christina Perri / arr. Andy Beck
Item: 00-PO-0005625
Minimum order quantity: 20 copies
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More about this title
About the Composer: David Hodges
David Hodges is a Nashville-based songwriter and producer who has crafted numerous pop hits across multiple genres. His work spans film soundtracks, television placements, and commercial recordings, often characterized by emotionally direct melodies and accessible harmonic language that translates well to ensemble settings.
Why we love this
Andy Beck's arrangement captures the intimacy of the original while giving SSA singers a chance to experience contemporary pop repertoire with genuine emotional weight. The rippling piano part provides clear harmonic support, allowing singers to focus on phrasing and blend while the piece builds naturally from simplicity to power—a satisfying arc for both performers and audiences.
What to expect
The piece opens with delicate simplicity, almost like a quiet admission, before gradually gathering emotional momentum. By the final statement of the title lyric, the harmonic density and vocal layering create a swelling, luminous affirmation of enduring devotion—a moment that feels both personal and universal.
Who it's for
Intermediate to advanced SSA choirs seeking meaningful contemporary repertoire that connects with modern audiences without sacrificing vocal sophistication. This arrangement works equally well for treble choirs at the high school level and collegiate ensembles looking to expand their pop choral offerings.
How to get the most out of it
- Begin with a transparent, almost hushed tone in the opening sections; let the piano's gentle rippling texture set the dynamic landscape before the voices add warmth.
- Shape the gradual build by subdividing into smaller phrase groups rather than thinking of it as one long crescendo; this creates architectural clarity and prevents the piece from sounding like a perpetual swell.
- Balance the top line carefully when it blossoms into full voicing; the melody should remain the primary focus even as harmonic texture thickens.
- Use the recorded accompaniment to lock ensemble entrances and to hear how the piano articulation breathes with the vocal phrasing.
How to use it
This makes an excellent closing selection for a concert program focused on love, connection, or contemporary themes; its emotional clarity leaves a strong final impression. It also pairs naturally with other pop arrangements or art song settings, serving as a bridge between classical and modern vocal literature within a single concert.
Skills your students will build
- Phrasing and breath management in contemporary pop idiom
- Dynamic control and gradual intensity building across longer phrase structures
- Blend and intonation in SSA texture with independent harmonic parts
- Interpretation of emotionally direct text with restraint and authenticity