A Thousand Years Sheet Music Preview

A Thousand Years: 3-Part Mixed Choral Octavo

Words and music by David Hodges and Christina Perri / arr. Andy Beck

Item: 00-PO-0005624

Digital Download
$2.10

Minimum order quantity: 20 copies

One moment…

Description
From The Twilight Saga: Breaking Dawn, the Christina Perri pop hit has been sensitively arranged for choir. A rippling piano accompaniment supports the melody, which starts simply and gradually gains momentum before blossoming into a testament of timeless true love: "I have loved you for a thousand years."

A Thousand Years: 3-Part Mixed Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0005624

More about this title

About the Composer: David Hodges

David Hodges is a songwriter and producer who has written and co-written numerous pop hits across multiple genres. His work spans film soundtracks, television, and commercial releases, often blending contemporary sensibilities with accessible melodies that resonate across audiences.

Why we love this

Andy Beck's arrangement captures the intimate vulnerability of the original while building naturally toward a powerful choral moment. The rippling piano part drives the piece forward without overwhelming younger or less experienced singers, making this a genuinely singable pop arrangement rather than a simplified version. Programming this piece signals to your audience that you're choosing music with emotional substance, not just recognizable titles.

What to expect

The piece unfolds like a love letter, starting quietly and intimately before swelling into a full-voiced declaration. The rippling accompaniment gives the whole arrangement a sense of movement and inevitability, as if the emotion has been building all along and finally has permission to emerge.

Who it's for

High school and church choirs performing at an intermediate level will find this arrangement both musically satisfying and technically manageable. Directors seeking contemporary pop repertoire with genuine emotional depth will appreciate that this doesn't condescend to singers or audiences.

How to get the most out of it

  • Allow the melody to breathe in the opening phrases. Resist the urge to rush; let the accompaniment's gentle ripples support a conversational first verse before the piece gains momentum.
  • Shape the dynamic progression carefully. The arrangement builds from simple to fuller, so mark your scores with clear intentions about when voices enter and where the texture thickens.
  • Balance the three parts distinctly during full sections. SAB voicing can blur together if not attended to; ensure soprano and alto lines have clarity while the baritone anchors the harmony.
  • Work the recorded accompaniment into rehearsals early. Once singers hear the piano's rippling texture, they'll understand the piece's forward motion and lock in more naturally to the song's emotional arc.

How to use it

This works beautifully as the emotional centerpiece of a concert or as a poignant closing number. Pair it with other contemporary pop arrangements or place it strategically between more classical selections to showcase your choir's range and versatility. Its movie tie-in also makes it a draw for audiences familiar with the source material.

Skills your students will build

  • Building and sustaining dynamic shape across a longer phrase
  • Blending three distinct voice parts while maintaining individual line clarity
  • Interpreting rhythmic nuance in a pop idiom (avoiding metronomic rigidity)
  • Following accompaniment cues and locking into a contemporary harmonic language

You May Also Like