A Pure Heart Sheet Music Preview

A Pure Heart: TBB Choral Octavo

(Calon Lân)

Music by John Hughes / arr., with English words, by Douglas E. Wagner

Item: 00-PO-0006977

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$2.05

Minimum order quantity: 20 copies

Description
Here's a romantic Welsh folk song arranged for three gorgeous voice parts. Lyrical lines, legato phrasing, and sumptuous sonorities are satisfying to sing.

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Part-predominant and accompaniment tracks
  • Printable sheet music (with a standard MakeMusic Cloud subscription)
  • Correlated rehearsal guides and performance notes
  • Rights to perform in a live or virtual setting

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Additional Details
Series: PerformancePlus+
SKU: 00-PO-0006977

More about this title

About the Composer: John Hughes

John Hughes is a Welsh composer whose deep connection to folk traditions informs much of his choral writing. His arrangements honor the melodic richness of traditional Welsh music while crafting works that resonate with contemporary audiences.

Why we love this

Wagner's arrangement preserves the folk song's essential warmth while tailoring it perfectly for men's voices, creating rich harmonic textures that feel both accessible and satisfying to sing. The legato writing and lyrical phrasing give your ensemble genuine musical substance without demanding advanced technique, making it a reliable choice for building choral blend and phrasing control.

What to expect

Intimate and romantic, with the gentle quality of a folk melody that feels both timeless and emotionally direct. The three-part writing creates sumptuous vertical harmonies that bloom naturally, inviting singers to linger in the warm colors of the chord progressions.

Who it's for

Men's choirs seeking repertoire that balances musicality with accessibility. This arrangement suits directors building programs for concert or festival settings who want a piece that showcases warm ensemble sonority and legit legato singing without extreme tessituras or complex rhythmic demands.

How to get the most out of it

  • Shape phrases around the natural contours of the melody rather than chopping at bar lines; think of each musical phrase as a single breath, even if your singers need to breathe within it
  • Balance the three parts so the primary melodic line stays clear while the accompanying voices provide lush harmonic support without overwhelming it
  • Use the part-predominant tracks during rehearsal to help singers anchor their own line before introducing full harmony
  • Explore the recorded accompaniment track to find the right tempo and style for your interpretation before settling on a final version

How to use it

Program this as a concert centerpiece that demonstrates your men's choir's blend and lyrical singing ability, or use it to open a lighter set of secular repertoire. Its romantic character pairs well with both contemporary selections and contrasting lighter fare in the same program.

Skills your students will build

  • Legato phrasing across longer musical phrases
  • Three-part harmonic balance and blend
  • Singing with sustained vowels in multiple registers
  • Responding to expressive shaping cues and dynamic control

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