A Pure Heart: SAB Choral Octavo
(Calon Lân)
Music by John Hughes / arr., with English words, by Douglas E. Wagner
Item: 00-PO-0006975
$2.05
Minimum order quantity: 20 copies
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Description
Here's a romantic Welsh folk song arranged for three gorgeous voice parts. Lyrical lines, legato phrasing, and sumptuous sonorities are satisfying to sing.
The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
- Assignment, recording, and assessment tools within MakeMusic Cloud
- Part-predominant and accompaniment tracks
- Printable sheet music (with a standard MakeMusic Cloud subscription)
- Correlated rehearsal guides and performance notes
- Rights to perform in a live or virtual setting
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Additional Details
Series:
PerformancePlus+
SKU:
00-PO-0006975
More about this title
Why we love this
Douglas E Wagner's arrangement captures the melodic warmth of Welsh folk tradition while writing idiomatically for three voices. The legato phrasing and carefully voiced harmonies create rich sonorities that feel both accessible and genuinely moving, rewarding singers who commit to sustained tone and musical line.
What to expect
Tender and flowing, with the emotional directness of traditional Welsh melody. The arrangement sits comfortably in the voices, allowing singers to focus on legato phrasing and the gentle beauty of sustained harmony rather than technical demands.
Who it's for
Choirs comfortable with three-part writing and eager to add romantic, lyrical material to their repertoire. This works well for concerts or festivals where you want to showcase warm, ensemble sonority without the complexity of four or more voice parts.
How to get the most out of it
- Establish a consistent legato approach from the opening phrase; mark breath points in rehearsal to preserve line continuity without sounding choppy.
- Layer in the harmony parts after the melody is secure, ensuring each voice understands its role in creating the 'sumptuous sonorities' the arrangement offers.
- Use the part-predominant tracks during sectional rehearsals so singers can internalize their individual lines before blending with the full sound.
- Balance the three voice parts so that no single line dominates; check that the middle parts aren't being buried beneath soprano and alto.
How to use it
Place this alongside other folk song arrangements or romantic-era secular work on a concert where you want to highlight choral warmth and accessibility. It pairs naturally with pieces that value melodic simplicity and harmonic richness over rhythmic complexity.
Skills your students will build
- Legato phrasing across phrase boundaries
- Three-part harmonic awareness and blend
- Sustained vowel shaping in sustained sonorities
- Musical communication of romantic character through dynamic control