A Psalm: 2-Part Choral Octavo
Words based on Traditional Psalms, music and new words by Andy Beck
Item: 00-PO-0005616
Minimum order quantity: 20 copies
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged over 450 choral works performed by singers across the globe. His versatility spans concert literature, vocal pedagogy resources (including Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique), and children's musicals, all currently in active use in schools and festivals worldwide.
Beyond the page, Beck is a sought-after guest conductor, adjudicator, and clinician who has worked with honor choirs and all-state ensembles throughout the Southeast. A trained tenor with degrees from Ithaca College and Northwest Missouri State University, he performs regularly with the North Carolina Master Chorale Chamber Choir and directs musical theatre. His work as both a composer and educator reflects a deep commitment to choral artistry and music literacy.
Why we love this
Beck writes music that actually sounds like it was made for singers to perform, not just to print. The 2-part voicing keeps everyone engaged without sacrificing harmonic color or textual depth, making this accessible to developing choirs while remaining musically substantial enough to hold the attention of experienced ensembles and adjudicators at festivals.
What to expect
The music radiates joy and purpose, grounded in sacred text but delivered with contemporary harmonic language and rhythmic vitality. The journey from exuberance through layered complexity to a luminous final statement creates the kind of emotional arc that reminds singers why they love this art form.
Who it's for
This octavo serves choral programs at the intermediate to advanced level, from high school honor choirs to community and church ensembles. Any director programming a concert or festival set will find a work that satisfies both singers and audience while remaining achievable within a realistic rehearsal timeline.
How to get the most out of it
- Shape the exuberant opening section with clear dynamic contrast; let the joy of the text breathe through precise ensemble articulation rather than rushed tempo.
- Balance the layered add-on section carefully so each voice layer remains audible and the building intensity feels architecturally sound, not muddy.
- Pay particular attention to the transition into the coda. This is where the musical arc you've built throughout deserves a moment of clarity before the final glorious statement.
How to use it
This works equally well as a festival selection or as an anchor piece in a concert celebrating spiritual themes. Its 16 pages and intermediate difficulty make it a strong choice for the second or third piece in a set, where it can carry momentum without demanding the opening slot, and its contemporary feel pairs nicely with both classical sacred works and modern spiritual compositions.
Skills your students will build
- Blend and balance in two-part writing with layered textures
- Expressive phrasing in contemporary sacred music
- Ensemble precision in rhythmically active passages
- Dynamic control across structural build sections