A Psalm: SSA Choral Octavo
Words based on Traditional Psalms, music and new words by Andy Beck
Item: 00-PO-0001782
Minimum order quantity: 20 copies
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged over 450 choral works, vocal resources, and children's musicals. His writing reaches singers globally, and he regularly appears as a guest conductor, adjudicator, and clinician for music educators and student ensembles across the United States and internationally. In recent years, he has been commissioned to compose for and conduct honor choirs throughout the Southeast, including multiple all-state groups.
Beyond his prolific output as a composer, Beck brings practical expertise in music literacy and pedagogy through resources like Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique. A tenor vocalist himself, he performs and directs musical theatre, sings with the North Carolina Master Chorale Chamber Choir, and has contributed as a studio singer for Alfred Music since 1992. He holds degrees in music education from both Ithaca College and Northwest Missouri State University.
Why we love this
Beck's commission for the North Carolina All-State Honors Chorus shows his instinct for writing music that energizes singers without overcomplicating the page. The text draws from the Psalms yet feels thoroughly contemporary, and the structural arc—building through layered sections toward a powerful coda—gives your singers something musically satisfying to aim for rather than a single-idea piece that plateaus.
What to expect
The music radiates exuberance and joy, with harmonies that feel both modern and grounded in choral tradition. The journey from the opening through the layered build to the glorious final coda creates a sense of communal celebration, inviting singers to experience the piece as a genuine musical arc rather than a series of moments.
Who it's for
This piece suits treble choirs at the intermediate to advanced level, particularly those preparing for honor choir auditions, state festivals, or formal concert programming. It's an excellent fit for SSA ensembles seeking substantial sacred repertoire with contemporary appeal.
How to get the most out of it
- Balance the SSA voicing so that the soprano lines don't dominate; the middle voices carry harmonic weight and deserve projection, particularly as the piece builds toward the final section.
- Shape the text expressively by treating it as speech first, then music. The psalmody-inspired language works best when phrases breathe naturally rather than landing heavily on downbeats.
- Layer in the add-on sections gradually during rehearsal so singers understand how each addition changes the texture and emotional arc, then rehearse the full version to build confidence with the expanded sound.
How to use it
Program this as a centerpiece for a concert themed around sacred music or contemporary choral writing. Its commission backstory and affirmative character make it equally at home in a festival setting or as the climactic work on a formal recital, particularly when paired with other contrasting sacred or secular pieces.
Skills your students will build
- Balancing multiple SSA voicings while maintaining lyrical line
- Interpreting contemporary harmonic language grounded in traditional choral writing
- Managing textual clarity and expressiveness in psalm-inspired text
- Building musical architecture across a multi-section form with a climactic coda