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A Night of Angels: SoundTrax Digital Audio Download

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A Night of Angels Cover Image

A Night of Angels: SoundTrax Digital Audio Download

Angels We Have Heard on High / Silent Night

Traditional Carols / arr., with additional words and music, by Ruth Morris Gray

Item: 00-A-00015654

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015654

More about this title

About the Arranger: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray has been shaping choral music at Rosemead High School since 2004, where she directs the choir program and teaches piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, credentials that anchor her work as both educator and creator.

With over 100 published choral compositions to her name, Gray brings deep understanding of what works in the rehearsal room and on stage. Beyond her roles as composer, arranger, director, and performer, she is an active traveler and cyclist who brings curiosity and energy to every project she undertakes.

Why we love this

Gray's arrangement respects the integrity of the traditional melody while opening it up for genuine choral expression. She understands the rehearsal needs of high school choirs and writes accompaniments that enhance rather than complicate the singers' work.

What to expect

Reverent and luminous, this arrangement captures the quiet wonder of the carol's text. The sonority is warm and unified, allowing the traditional melody to be heard clearly while the voices around it create a shimmering harmonic foundation.

Who it's for

This arrangement works beautifully for high school and adult choirs seeking a straightforward, singable setting of a beloved carol. Ensembles with moderate vocal experience will find the part writing accessible and the harmonic language supportive without being oversimplified.

How to get the most out of it

  • Balance the melody between voice parts to let the familiar carol shine through; resist the urge to feature solo voices over the harmonic texture.
  • Use the recorded accompaniment during early rehearsals to establish the harmonic context, then work toward independent singing as confidence builds.
  • Shape each phrase with gentle dynamic shaping that honors the carol's reverent character without becoming static or overly sentimental.
  • Pay attention to vowel unification across the ensemble, especially in moments where parts move homophonically; clarity of text matters in sacred music.

How to use it

Place this in the first half of a Christmas concert where you want to establish a reflective mood before moving to livelier selections. It pairs well with contemporary carols or spirituals and provides an excellent bridge between traditional and modern repertoire.

Skills your students will build

  • Singing sustained harmonic parts that support rather than compete with the melody
  • Unifying vowel sounds across four-part textures
  • Maintaining pitch independence while listening to recorded accompaniment
  • Shaping phrases with appropriate dynamic contrast in sacred music

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