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A Night at the Symphony: Piano Book

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A Night at the Symphony Cover Image

A Night at the Symphony: Piano Book

Stories of Great Orchestral Works with Early Intermediate to Intermediate Piano Arrangements

Arr. Carol Matz and Bernadine Johnson

Level: Early Intermediate / Intermediate

Item: 00-25609

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Description
A Night at the Symphony takes piano students on a fascinating journey into the exciting world of orchestral music. Along with early-intermediate to intermediate piano arrangements of favorite orchestral themes, it includes instructions for organizing a symphony-themed recital, information on the basics of the orchestra, an explanation of symphonic terms, highlights of orchestral history and more. Seven timeless orchestral pieces are explored. The unit on each piece includes: a piano arrangement by Carol Matz, interesting background information on the composition and its form, a biography of the composer, and a fun activity page by Bernadine Johnson. 56 pages.

Unit titles and arrangements: Spring (from The Four Seasons) * Eine Kleine Nachtmusik * "Surprise" Symphony * Symphony No. 5 * Morning Mood (from Peer Gynt Suite) * 1812 Overture * Rhapsody in Blue.

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Additional Details
Series: Learning Link
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-4107-X
ISBN13: 978-0-7390-4107-9
UPC: 038081275666
SKU: 00-25609

More about this title

About the Author: Bernadine Johnson

Bernadine Johnson

Bernadine Johnson holds a B.A. in Music Education from Indiana Wesleyan University and has spent decades building a thriving piano studio in Fremont, Michigan, where she teaches students across all ages and levels. Her contributions to music education extend through her active involvement with the Grand Rapids Piano Teacher's Forum, Michigan Music Teacher's Association, and Newaygo County Piano Teacher's Group, along with her work as an adjudicator and clinician.

Johnson's innovative approach to piano pedagogy shines through her publications with Alfred Music. Beyond A Night at the Symphony, she has co-authored A Night at the Ballet and A Night at the Opera, and authored numerous solo works including Scenes from The Nutcracker. Her recognition includes the Newaygo County 1999 Cultural Programs Award and a Fine Arts Department Alumni Award from Indiana Wesleyan University.

Why we love this

This book transforms orchestral masterworks into accessible piano experiences while embedding rich cultural and historical context into every unit. Rather than isolated arrangements, Johnson provides composers' biographies, symphonic terminology, and guided activities that deepen student understanding of why these pieces matter. The accompanying instructions for hosting a symphony-themed recital give teachers a complete framework for turning practice into performance and learning into celebration.

What to expect

Opening these pages feels like stepping into a concert hall, where famous melodies emerge from a piano that's been tailored to reveal their essential voice. The writing balances technical accessibility with genuine musical substance; students play real, recognizable themes rather than simplified sketches, hearing themselves make music that echoes across centuries.

Who it's for

Early-intermediate to intermediate pianists who are curious about orchestral music but lack exposure to concert hall repertoire. This book works equally well for students in private lessons and group piano classes seeking context-rich material that connects piano study to the broader classical tradition.

How to get the most out of it

  • Study the background information and composer biography before diving into each arrangement; understanding the piece's historical context and original orchestral intent shapes your musical interpretation and phrasing choices.
  • Pay attention to Carol Matz's arrangement choices, particularly how orchestral colors and textures translate to the keyboard; these moments often reveal where the original themes sing most prominently.
  • Complete the activity page after learning each piece; the reinforcement helps solidify both the music and the broader concepts surrounding orchestral form and structure.
  • Record yourself performing the pieces as you progress through the book, then listen back to track how your control of dynamics and voicing develops across these contrasting themes.

How to use it

Use this as the foundation for a spring or fall recital featuring an orchestral theme, where students perform their favorite arrangements before an audience while you narrate the composers' stories and orchestral history. Alternatively, assign units throughout the year to complement orchestra field trips or music history study, allowing students to experience concert repertoire on their own instrument before hearing it live.

Skills your students will build

  • Playing melodies across hand positions while maintaining phrasing and tone quality
  • Recognizing and performing common orchestral themes and their structural repetitions
  • Understanding sonata form, theme and variation, and other symphonic structures through direct experience
  • Sustaining musical lines across multiple phrases using appropriate pedaling and voicing
  • Distinguishing between different orchestral eras and composers through their characteristic harmonic language
  • Connecting keyboard technique to the emotional and historical intent of master composers

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