A New Alleluia: 2-Part Choral Octavo

Althouse knows exactly how to write for developing choirs without sacrificing musicality. This setting moves quickly through rehearsals because the writing itself teaches the music; there's no unnecessary complexity hiding behind the simplicity. You'll have a polished, singable piece ready for concert in a fraction of the time you'd spend on something less expertly crafted.

Bright and affirmative, with an accessible warmth that feels both sacred and approachable. The straightforward harmonies and comfortable ranges let singers focus on ensemble cohesion rather than technical survival, creating the satisfaction of genuine musicmaking even at an early level.

This octavo serves developing choirs and singers new to two-part singing who need a piece that builds confidence without overwhelming rehearsal time. Directors preparing young or less experienced ensembles will find it both practical and genuinely musical.

• Bring out the rhythmic pulse from the piano accompaniment during early rehearsals to anchor the two-part texture; once singers feel secure, they can pull slightly away for a more organic phrasing.
• If using the SoundTrax recording, introduce it gradually so singers stay connected to their own voices rather than depending on the track from the start.
• Build energy into the repeated Alleluias by varying dynamics across phrases; even simple arrangements benefit from gentle shaping that keeps the listener engaged.
• Use this as your opening warm-up piece early in the season to build confidence and ensemble blend before moving into more demanding repertoire.

Place this early in a concert to establish an uplifting opening or use it as a lighter moment between weightier selections. Its brevity and quick rehearsal timeline make it ideal for adding repertoire mid-season or filling a spot when scheduling conflicts require flexibility.

• Singing sustaining two-part harmonies with confidence
• Matching pitch and maintaining part integrity within an ensemble
• Responding to piano accompaniment without depending on it
• Shaping phrases through dynamic control within a simple harmonic framework