A Mad Russian's Christmas Cover Image

A Mad Russian's Christmas: String Orchestra Conductor Score & Parts

$61.00 USD
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A Mad Russian's Christmas Cover Image

A Mad Russian's Christmas: String Orchestra Conductor Score & Parts

As Performed by Trans-Siberian Orchestra

Music by Peter Ilyich Tchaikovsky, Paul O'Neill, and Robert Kinkel / arr. Bob Phillips

Grade: 3.5

Item: 00-38426

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Description
As performed in the fabulous Trans-Siberian Orchestra live concert, experience "Trepak" from The Nutcracker as you never have before. Though greatly enhanced by adding a rhythm section, the piece can be played by strings alone. An optional electric violin part provides the perfect spot to feature an electric instrument. If you haven't seen TSO, check them out online and then share this one with your students. Perhaps include a field trip to see the band live with lights and effects.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Mad Russian's Christmas: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 148
UPC: 038081439648
SKU: 00-38426

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded the Trans-Siberian Orchestra in 1996 and has served as its creative force, composer, and lyricist. His vision transformed classical music into a theatrical rock spectacle, blending orchestral arrangements with contemporary production values and earning TSO a devoted international following that spans decades.

Why we love this

This arrangement captures the raw energy and theatrical flair that makes Trans-Siberian Orchestra performances unforgettable, while remaining accessible for a school string orchestra. The optional electric violin part and rhythm section create genuine excitement without overwhelming your ensemble, and the Tchaikovsky connection gives students a bridge between classical repertoire and modern concert presentation.

What to expect

A wild sprint through a snowy landscape transformed into a rock concert. The familiar melody of "Trepak" gains an urgent, electrifying edge; what Tchaikovsky wrote as a folk dance becomes something fierce and contemporary, pulsing with energy and theatrical swagger.

Who it's for

String orchestras at the intermediate level (Grade 3.5) seeking repertoire that energizes students and audiences alike. This works especially well for ensembles with rhythm section players who want to collaborate with strings, or for programs aiming to showcase electric instruments in a concert context.

How to get the most out of it

  • Maintain precise rhythmic alignment between strings and rhythm section; the driving pulse that makes this arrangement exciting depends on rock-solid communication between these two worlds.
  • Tap into the drama of the original "Trepak" by emphasizing dynamic contrasts; the conductor score provides clear indications for when to push forward and when to pull back.
  • If featuring an electric violin soloist, balance their amplified sound so strings remain present and engaged rather than relegated to accompaniment.
  • Use the rhythm section (if included) to anchor the tempo and create the contemporary energy that distinguishes this version from traditional Nutcracker performances.

How to use it

Program this during the winter concert season to offer audiences a fresh take on holiday classics they thought they knew. It pairs well alongside traditional Nutcracker selections, creating an arc from classical to modern interpretations. Consider timing it as a high-energy finale or centerpiece to capture attention and demonstrate your ensemble's versatility.

Skills your students will build

  • Adapting classical melodic material to contemporary rhythmic and harmonic contexts
  • Coordinating strings with rhythm section instruments
  • Executing driving, rock-influenced rhythms with precision
  • Balancing featured soloists (especially electric violin) within the ensemble texture
  • Building interpretive choices around theatrical presentation and concert dynamics

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