A Good King's Christmas Cover Image

A Good King's Christmas: Concert Band Conductor Score & Parts

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A Good King's Christmas Cover Image

A Good King's Christmas: Concert Band Conductor Score & Parts

Arranged by Elliot Del Borgo

Grade: 1

Item: 98-B1231

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Description
This symphonic treatment of Good King Wenceslas is ideal for your next winter concert. A powerful unison fanfare opening is quickly answered in full harmony, leading to a simple statement of the theme. All instruments get to play the melody, which is varied slightly throughout the piece to maintain interest. An easy choice for Del Borgo fans across the country.

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 674398215010
SKU: 98-B1231

More about this title

About the Composer: Elliot Del Borgo

Elliot Del Borgo is a prolific composer and arranger whose works dominate the beginning band repertoire across North America. His gift lies in crafting accessible, musically satisfying pieces that sound far more sophisticated than their Grade 1 and 2 difficulty levels suggest. Del Borgo has spent decades understanding what young musicians need: clear textures, memorable melodies, and the experience of playing substantial musical material without overwhelming technical demands.

Why we love this

Del Borgo's treatment transforms a familiar carol into a fully realized concert piece that respects both the tune and your ensemble's capabilities. Every section gets genuine melodic responsibility rather than filler parts, which keeps students engaged and builds collective ownership of the performance. The fanfare opening and harmonic variations create enough musical architecture to hold an audience's attention while remaining well within reach of a developing band.

What to expect

Ceremonial and warm. The piece opens with grandeur through its unison fanfare, then settles into a gentle, almost reverent presentation of the beloved melody. Throughout, there's a sense of transparency; the orchestration never feels crowded, allowing each line to sing clearly while creating fuller sonority through honest harmony rather than technical complexity.

Who it's for

Beginning concert bands ready for material that sounds polished and holiday-appropriate without steep technical barriers. This works equally well for directors introducing their first-year students to concert programming or for community bands seeking accessible seasonal repertoire with genuine musical substance.

How to get the most out of it

  • Shape the opening fanfare with clear articulation and slight dynamic emphasis on beat one of each measure; this establishes the piece's ceremonial character immediately.
  • Balance the harmony sections by having your principal voices play out while supporting parts provide texture rather than competing for attention.
  • Bring out the slight melodic variations as they pass between sections; this prevents the familiar tune from becoming monotonous over multiple statements.
  • Maintain steady tempo through the transitions between sections to avoid losing the lyrical flow beneath the arrangement's symphonic gestures.

How to use it

Anchor a winter concert's opening or closing set with this piece; its accessible fanfare introduction and straightforward charm make it a strong audience entry point, while the complete harmonic arrangement suggests musical maturity. It pairs naturally with other Grade 1-2 holiday selections or can stand alone as a substantial seasonal feature if programmed with contrasting concert band repertoire.

Skills your students will build

  • Playing unison passages with unified articulation and intonation
  • Balancing melodic lines against harmonic support in full ensemble
  • Following harmonic arrangement and understanding how different instrumental voices work together
  • Sustaining lyrical character through sustained and repeated harmonic sections
  • Reading and executing dynamic shadings that enhance a familiar melody without overshadowing it

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