A First Book of Latin Music: For The Beginning Pianist with Downloadable MP3s Cover Image

A First Book of Latin Music: For The Beginning Pianist with Downloadable MP3s: Piano Book with Downloadable MP3s

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A First Book of Latin Music: For The Beginning Pianist with Downloadable MP3s Cover Image

A First Book of Latin Music: For The Beginning Pianist with Downloadable MP3s: Piano Book with Downloadable MP3s

For the Beginning Pianist with Downloadable MP3s

By Peter Lansing

Level: Beginner

Item: 06-797562

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Description
From the ancient Spanish ballad "Roman Castillo" to "La Paloma," "El Choclo," "La Cumparista," and other tango tunes, this beginner's compilation abounds in zesty, traditional music. More than two dozen simplified renditions of beloved songs also include "La Cintura," an Ecuadorian folksong; the ever-popular "La Cucaracha"; the Mexican hat dance; and songs such as "La Golondrina," "Cielito Lindo," and "Las Mañanitas." Selections range from all around the Latin countries of the New World, from Peru's "Llanto del Indio" and Brazil's "Tico-Tico" and "La Nau Catarineta" to the popular Argentine melody "Subo, Subo."

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Sample Pages

Sample Audio
1 La Golondria --:--
2 Llanto del Indio --:--

La Golondria

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Sample Video
Additional Details
Series: Dover Edition: A First Book
Publisher: Dover Publications
ISBN10: 0-486-79756-2
ISBN13: 978-0-486-79756-4
UPC: 9780486797564
SKU: 06-797562

More about this title

Why we love this

Lansing's arrangements capture the rhythmic vitality and melodic character of traditional Latin music without overwhelming beginning pianists. The collection spans the geographic and musical breadth of Latin America, exposing students to authentic regional styles rather than generic "Latin" sound. Each piece sits perfectly under the hands of a player still building technique, making repertoire that feels immediate and rewarding rather than like homework.

What to expect

Spirited and alive. These are the songs that danced through Latin American streets and parlors for generations. Even in simplified form, they pulse with rhythmic energy and melodic warmth, inviting the player into a musical conversation that feels both accessible and genuine.

Who it's for

Beginning pianists in their first or second year of study who want to play music that sounds fully realized and culturally grounded. Teachers looking to build a diverse repertoire library that connects students to traditional music from across Latin America without requiring advanced technique.

How to get the most out of it

  • Pay attention to articulation and note length, especially in passages with staccato markings. Latin music relies on rhythmic clarity; clean articulation makes even simplified arrangements sound authentic.
  • Use the downloadable MP3 recordings to internalize the rhythmic character and traditional tempos before drilling at the keyboard. Listen multiple times before practicing to let the style settle in your ear.
  • Lean into syncopation and rhythmic patterns rather than rushing through them. These pieces spotlight rhythmic texture, so take time to feel the pulse underneath any syncopated figures.
  • Practice hands separately if coordination feels unsteady, then gradually blend them while maintaining the integrity of rhythmic accompaniments. Latin pieces lose their character when left hand patterns become approximate.

How to use it

Build a recital around regional themes, programming selections from Peru, Brazil, Mexico, and Argentina in sequence to create a musical journey. Pair individual pieces with student research on their cultural origins for a combined music and social studies presentation. Use shorter selections as warm-up repertoire throughout the year to build sight-reading fluency while keeping practice engaging.

Skills your students will build

  • Syncopated rhythms and Latin rhythmic patterns
  • Hand independence with rhythmic accompaniment figures
  • Reading and performing with varied time signatures
  • Listening and matching recorded accompaniments to live performance
  • Articulation control (staccato and legato in traditional style)
  • Sight-reading fluency across multiple musical styles

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