A Festive Pat-A-Pan Cover Image

A Festive Pat-A-Pan: SATB <i>a cappella</i> Choral Octavo

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A Festive Pat-A-Pan Cover Image

A Festive Pat-A-Pan: SATB a cappella Choral Octavo

Traditional French Carol / arr., with additional words, by Tom Fettke and Thomas Grassi

Item: 00-48456

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Description
A Christmas time stunner that truly stands out! This a cappella arrangement is brilliantly crafted with a constantly evolving undercurrent of motives that imitate the sounds of flutes and drums ("tu-re-lu, pat-a-pan, fa la la"). The addition of body percussion gives a remarkably anthemic feel for today's choirs.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Festive Pat-A-Pan: SATB a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081552798
SKU: 00-48456

More about this title

About the Arranger: Tom Fettke

Tom Fettke

Tom Fettke has spent more than five decades creating choral music for worship and educational settings, with hundreds of published works and recordings to his name. His compositions and arrangements are performed by thousands of choirs worldwide, most notably The Majesty and Glory of Your Name, a piece that has become a cornerstone of contemporary sacred choral literature. Fettke holds degrees from Oakland City College and California State University at Hayward, along with a California Lifetime Music Credential in Secondary Music.

His career spans decades of practical experience in the classroom and the church. Fettke taught vocal music in California public schools, served as minister of music and choir director in congregations of various sizes, and directed choral activities for the Redwood Christian School System in Castro Valley. He also shaped congregational music nationally through his editorial work on The Hymnal for Worship and Celebration and The Celebration Hymnal, projects that have influenced worship practice across North America. Fettke now resides in Nashville, Tennessee.

Why we love this

This arrangement captures the playful spirit of the traditional tune while creating something genuinely fresh for contemporary choirs. The integration of body percussion and the clever imitative writing around the "pat-a-pan" and "tu-re-lu" motives give singers tangible, physical engagement with the text in a way that feels organic rather than gimmicky. It's the kind of piece that energizes a Christmas program without sacrificing musical substance.

What to expect

Festive and kinetic, with a driving pulse that builds momentum through the accumulation of interlocking rhythmic and melodic ideas. The piece captures the joy and playfulness of the original tune while the evolving undercurrent of motives gives it sophisticated forward motion, creating an anthem that feels both timeless and alive in the moment.

Who it's for

This octavo works beautifully for SATB choirs at the intermediate to advanced level who want Christmas repertoire with personality and musical substance. Directors seeking a carol arrangement that feels contemporary and engages singers beyond traditional vocal writing will find strong material here. It's particularly effective for choirs comfortable with body percussion and looking to add movement and physical involvement to their holiday concerts.

How to get the most out of it

  • Establish the body percussion patterns during early rehearsals so they feel natural rather than tacked on; let singers own the rhythmic gesture as part of the musical fabric.
  • Highlight the evolving motivic material in your sectional rehearsals by having singers identify where the "drum" and "flute" sounds appear; this awareness transforms the piece from decorative to architecturally clear.
  • Pay attention to the balance between the a cappella voices and any body percussion; the goal is an integrated, anthemic sound rather than percussion overwhelming the choir.
  • Allow time for the choir to experience the cumulative effect of the growing texture; don't rush through rehearsals, as the building energy is central to the piece's impact.

How to use it

Position this as a centerpiece in your Christmas concert where it can command full attention; the body percussion and evolving texture deserve an engaged audience and excellent sound reinforcement. It pairs well with both traditional carols and other contemporary sacred pieces, serving as a bridge between reverent and celebratory moments in your holiday programming.

Skills your students will build

  • Maintaining ensemble blend while navigating constantly shifting motivic material
  • Coordinating body percussion with singing
  • Understanding how imitative techniques (flute and drum sounds) can enhance text-painting in a cappella writing
  • Building dynamic energy through layered texture rather than vocal volume alone

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