A Christmas Montage Cover Image

A Christmas Montage: Concert Band Conductor Score & Parts

$55.00 USD
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A Christmas Montage Cover Image

A Christmas Montage: Concert Band Conductor Score & Parts

Arranged by Roland Barrett

Grade: 2.5

Item: 98-B1352

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Description
This powerful arrangement combines the bold, aggressive writing of Roland Barrett with the sounds of the holidays. Selections include Good King Wenceslas, Angels We Have Heard on High, and Carol of the Bells. As the work comes to a close, themes from God Rest Ye Merry, Gentlemen are weaved into Carol of the Bells before the work accelerates to a thrilling finish. A wonderful symphonic arrangement for your next holiday program!

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 674398222865
SKU: 98-B1352

More about this title

About the Composer: Roland Barrett

Roland Barrett

Roland Barrett's career spans both the academy and the podium. Since 2001, he has served on the University of Oklahoma's composition and music theory faculty, where he teaches 20th century topics at the undergraduate and graduate levels. Beyond the classroom, Barrett maintains his role as arranger for the Pride of Oklahoma marching band, keeping him actively engaged with student musicians and contemporary compositional challenges.

As a composer and arranger, Barrett has established himself nationally with over two hundred published works for symphonic band, chamber ensembles, and marching groups. His music has reached audiences through performances by the Dallas Wind Symphony and countless All-State and All-Region honor bands, as well as broadcasts on NPR and appearances at major conventions including the Midwest Band & Orchestra Convention and the International Trumpet Guild. He is a multiple recipient of the ASCAP Plus award and has been honored with the Michael Hennagin memorial scholarship in composition from his home institution.

Why we love this

Barrett brings real compositional craft to holiday repertoire rather than settling for routine transcriptions. The aggressive, symphonic energy he brings to these familiar melodies makes them sound fresh without sacrificing accessibility for Grade 2.5 ensembles. The final weaving of God Rest Ye Merry, Gentlemen into Carol of the Bells shows thoughtful arranging that rewards careful rehearsal.

What to expect

Festive and muscular in equal measure. Barrett's orchestration brings orchestral weight to the concert band medium, layering familiar carols with bold harmonic and rhythmic gestures that feel contemporary rather than precious. The arc from contemplative opening through jubilant finale captures holiday spirit with real dramatic drive.

Who it's for

Concert bands at the Grade 2.5 level who want a holiday program centerpiece with symphonic ambition and genuine compositional substance. This arrangement serves directors looking to program something more adventurous than standard holiday fare without overwhelming their ensemble's technical capacity.

How to get the most out of it

  • Balance the bold brass writing so it doesn't overwhelm the thematic material. Barrett's aggressive orchestration demands control from your low brass section; anchor them with solid dynamics and tone work before ensemble rehearsals.
  • Let the good King Wenceslas section breathe with its own character before the energy shifts. This opening establishes the montage framework, so clarity here sets up listener expectations for what follows.
  • Prepare for the tempo acceleration into the final section by locking in the rhythm section's pulse during sectional rehearsals. The ending's thrilling effect depends entirely on rhythmic precision.
  • Isolate the Carol of the Bells and God Rest Ye Merry, Gentlemen transition in small sections first. This weaving requires independent line awareness that won't emerge naturally from full-ensemble reading.

How to use it

This montage works brilliantly as a standalone holiday concert finale, allowing your band to close on a high-energy, audience-friendly note. It also pairs naturally with more traditional or sacred holiday selections earlier in the program, giving you both pomp and accessibility on a single concert.

Skills your students will build

  • Balancing multiple simultaneous thematic lines within a single texture
  • Reading and executing tempo accelerations with ensemble precision
  • Maintaining rhythmic integrity across meter changes and sectional entrances
  • Articulation clarity under loud dynamics and thick orchestration

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