A Christmas Fantasy Cover Image

A Christmas Fantasy: Concert Band Conductor Score

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A Christmas Fantasy Cover Image

A Christmas Fantasy: Concert Band Conductor Score

Featuring: Joy to the World / What Child Is This? / The Twelve Days of Christmas / Angels We Have Heard on High

Arr. Roland Barrett

Grade: 3 (Medium Easy)

Item: 00-32510S

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Description
This holiday concert selection is a montage of "Joy to the World," "What Child Is This?," "The Twelve Days of Christmas," and "Angels We Have Heard on High" . . . and a couple of others! A glorious addition to any holiday program. This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 32
UPC: 038081388595
SKU: 00-32510S

More about this title

About the Arranger: Roland Barrett

Roland Barrett

Roland Barrett has shaped generations of student musicians through his dual roles as composer and arranger. At the University of Oklahoma, where he joined the faculty in 2001, he teaches both undergraduate and graduate theory and composition with a focus on 20th century music. Beyond the classroom, he serves as the primary musical arranger for the Pride of Oklahoma marching band, a position he has held for over fifteen years.

Barrett's published catalog exceeds two hundred works and arrangements spanning symphonic band, chamber ensembles, and marching band. His music has reached audiences on National Public Radio and at major conventions including the Midwest Band & Orchestra Convention and the International Trumpet Guild. He is a multiple recipient of the ASCAPlus award and brings the same artistic rigor to his concert band arrangements that defines his original compositions.

Why we love this

This arrangement captures the essence of a holiday medley without the patchwork feel that often weakens such pieces. Barrett's orchestration moves seamlessly between beloved carols, giving each melody room to breathe while maintaining forward momentum. The Grade 3 scoring ensures your ensemble can deliver a polished, celebratory performance without requiring professional-level technical facility.

What to expect

Warmth and familiarity blend with genuine orchestral color. These timeless melodies receive respectful harmonic treatment that feels both traditional and thoughtfully crafted, creating the sense of a musical gathering rather than a simple tune collection.

Who it's for

Band directors programming a holiday concert who need a substantial, attractive piece that sits comfortably within mid-level ensemble capabilities. This is ideal for programs seeking a concert-appropriate alternative to lighter seasonal selections, with enough musical substance to complement both sacred and secular holiday programming.

How to get the most out of it

  • Balance the melodic voices carefully during transitions between carols; Barrett often layers familiar tunes against harmonic support, so secondary lines need clarity without overshadowing the main material.
  • Attend to the harmonic rhythm in the supporting voices. The arrangement relies on straightforward voicing, which means rhythmic precision in the accompaniment parts directly affects the piece's musical shape.
  • Shape each carol's opening statement distinctly. The medley format means your audience will expect each tune to feel fresh, so mark clear dynamic and tempo arrivals for every new section.

How to use it

Position this as the anchor of a holiday concert or as the finale of a mixed program. Its broad appeal and festive spirit work equally well in winter holiday celebrations, December concerts, or spring memorial services. The 32-page score allows for substantial rehearsal engagement without eating significantly into preparation time for other repertoire.

Skills your students will build

  • Balancing melody against harmonic accompaniment in four-part band voicing
  • Executing smooth transitions between contrasting tonal centers and harmonic approaches
  • Maintaining consistent tempo and style across multiple sections of varying character
  • Blending and balancing within choir-based scoring (woodwind choirs, brass choirs, full ensemble)
  • Reading and executing articulation changes that define each carol's individual character

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