A Broadway Song Cover Image

A Broadway Song: Choral Octavo SoundTrax CD

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A Broadway Song Cover Image

A Broadway Song: Choral Octavo SoundTrax CD

(A Partner Song with "Give My Regards to Broadway")

Words and music by George M. Cohan / arr., with additional words and music, by Sally K. Albrecht and Jay Althouse

Item: 00-43609

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Description
Cohan's famous show tune gets a lively partner song treatment! A complimentary countermelody ensures that developing singers will perform the independent musical lines with success. Add the optional choreography (printed in the publication and on the Step One! DVD and at alfred.com/video) to create the ultimate show-stopper!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081491493
SKU: 00-43609

More about this title

About the Composer: George M. Cohan

George M. Cohan (1878-1942) was a songwriter, playwright, composer, and performer who shaped American musical theater in the early 20th century. His songs became standards of American popular music, known for their infectious melodies, patriotic themes, and theatrical vitality. Cohan's work remains a cornerstone of choral and vocal repertoire, offering singers access to the idioms and energy that defined the Golden Age of Broadway.

For music educators, Cohan's compositions provide authentic historical material that connects students to American musical culture. His melodies are singable and memorable; his harmonies, though grounded in popular idiom, reward careful interpretation and ensemble balance.

Why we love this

The partner song arrangement opens this classic to younger or less experienced singers without compromising Cohan's theatrical spirit. The complementary countermelody creates natural ensemble independence, letting developing voices contribute meaningfully rather than doubling the melody, which builds genuine part-singing confidence. Adding the optional choreography transforms a song into a full performance moment—the kind of energized finale that leaves audiences smiling and students remembering why they love singing.

What to expect

Energetic and buoyant, with the kind of vaudeville-era charm that feels both vintage and immediately fun. The addition of a countermelody creates a richer harmonic texture than a simple melody-with-harmony, giving singers the satisfaction of performing something genuinely their own. With choreography, it becomes pure theater: bright, confident, and impossible to resist.

Who it's for

Developing choral singers who benefit from part independence but need structural support. Secondary choirs, middle school ensembles, and community theater groups will find the partner song arrangement accessible while maintaining Cohan's theatrical authenticity. This works equally well for after-school performance groups and rehearsal-limited settings where a single piece can function as a concert finale.

How to get the most out of it

  • Balance the partner song lines so both the melody and countermelody remain audible. Have singers practice separately first, then blend by ear, adjusting dynamics rather than sacrificing text clarity.
  • Use the recorded accompaniment to establish the style's energetic tempo and rhythmic swagger. Let the track model the character before layering in choreography.
  • Rehearse the text clarity across both vocal lines together. Cohan's phrasing demands crisp consonants and forward vowels; the partner song arrangement requires even more precision so words don't muddy when voices cross.
  • If adding choreography, teach the movement and singing separately, then integrate gradually. Singers tend to breathe less and support less when learning steps; mark through the song several times before adding full choreography energy.

How to use it

Save this for a concert closer or spring show finale where you want the audience to leave smiling. Its theatrical DNA and optional choreography make it equally valuable as a standalone showstopper or as part of a Broadway-themed program. The accessible arrangement and recorded accompaniment mean you can program it even with limited rehearsal time, making it practical for annual concerts, community events, or competitions.

Skills your students will build

  • Reading independent vocal lines while maintaining ensemble rhythm
  • Balancing a countermelody against the melody without losing either part
  • Performing with period-appropriate style and theatrical confidence
  • Integrating choreography with breathing and vocal support
  • Text clarity and diction at performance tempo

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