A Brand New Day Cover Image

A Brand New Day: TTBB Choral Octavo

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A Brand New Day Cover Image

A Brand New Day: TTBB Choral Octavo

(Everybody Rejoice)

Words and music by Luther Vandross / arr. Connor Warren Smith

Item: 00-51496

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Description
From the Motown-inspired musical The Wiz, this funky, feel-good song is a joyful celebration of fresh starts and endless possibilities. Optimistic lyrics, a funky groove, and an upbeat hook create the ultimate opener or closer for four-part show and concert choirs. Don't miss our exuberant SoundTrax or perform with live guitar, bass, and drums.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081589961
SKU: 00-51496

More about this title

About the Composer: Luther Vandross

Luther Vandross (1951-2005) was a master of vocal arrangement and interpretation whose influence spans R&B, soul, and pop music. His work on The Wiz soundtrack exemplifies his gift for crafting infectious melodies and sophisticated harmonies that remain accessible to singers at all levels. Vandross's arrangements prioritize strong hooks and singable lines, making his compositions perennial favorites in educational choral settings.

Why we love this

This arrangement captures the infectious optimism of the original while sitting perfectly in the TTBB range, with Connor Warren Smith's adaptation preserving Vandross's signature groove and harmonic sensibility. The funky rhythmic foundation and memorable melodic hook give singers genuine joy to perform, and the optional instrumental parts allow you to scale the accompaniment from recorded tracks to a full rhythm section depending on your resources.

What to expect

Funky, bright, and forward-moving. The arrangement radiates the kind of warmth and hope the song was written to convey, with syncopated rhythms that keep listeners engaged and a melodic line that stays lodged in memory long after the final chord. There is an undeniable buoyancy here that lifts the entire room.

Who it's for

Four-part male choirs and mixed ensembles seeking material that energizes both singers and audiences will find this arrangement invaluable. High school, college, and community choirs benefit equally from its accessible vocal writing and contemporary appeal, making it an excellent choice for concert openers or celebratory closing numbers.

How to get the most out of it

  • Lock the rhythmic pocket early in rehearsal by having the lower voices establish a steady, relaxed groove on the bass line before layering in the upper voices.
  • Balance the homophonic sections carefully so the hook remains prominent without the supporting voices getting buried.
  • If using live instruments, conduct with clear, confident downbeats to keep the rhythm section anchored while allowing natural swing and feel to develop.
  • Encourage singers to embrace the pop sensibility of the piece; this is not classical concert music, and articulation should be conversational and energetic rather than legit.

How to use it

Open a spring concert with this piece to set an immediate tone of celebration and positivity, or position it as the final number to send the audience home energized and smiling. Its Motown roots and feel-good lyrics also make it an inspired choice for graduation, recognition, or end-of-year celebrations where joy and forward momentum are thematically appropriate.

Skills your students will build

  • Maintaining groove and rhythmic independence in a syncopated pop style
  • Balancing four-part harmony while keeping the hook prominent
  • Singing with stylistic authenticity in R&B and soul-influenced music
  • Responding to and performing with rhythm section accompaniment

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