A Big Band Christmas Cover Image

A Big Band Christmas: Jazz Ensemble Conductor Score & Parts

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A Big Band Christmas Cover Image

A Big Band Christmas: Jazz Ensemble Conductor Score & Parts

Arr. Carl Strommen

Grade: 3 (Medium)

Item: 00-JE9824

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Description
It is really hard to find quality Christmas material for jazz ensemble that doesn't require a long time to prepare. Well, here it is! Carl Strommen has arranged a solid medley of all-time favorite Christmas carols in a variety of jazz styles and tempos. You will hear THE TWELVE DAYS OF CHRISTMAS, JINGLE BELLS, O COME, ALL YE FAITHFUL, and WE THREE KINGS. This is the only Christmas arrangement you will need this year! (5:47)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, A Big Band Christmas: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 134
ISBN10: 0-7579-3502-8
ISBN13: 978-0-7579-3502-2
UPC: 029156913125
SKU: 00-JE9824

More about this title

About the Arranger: Carl Strommen

Carl Strommen

Carl Strommen has established himself as one of the most frequently performed composer-arrangers across band, orchestra, jazz ensemble, and vocal literature in the United States and beyond. His music appears regularly on concert programs, in television broadcasts, and in film; he is frequently sought as a clinician and commissioned composer, and his consistent body of work has earned him the annual ASCAP Standard Writers Award.

A City College of New York graduate, Strommen maintains active ties to music education as an adjunct professor of orchestration and composition at C.W. Post Campus of Long Island University. He lives on Long Island with his family and spends considerable time between Denver and Boulder, Colorado.

Why we love this

Strommen understands the calendar pressure jazz directors face. This medley solves the real challenge of finding Christmas material that sounds sophisticated without requiring weeks of rehearsal time. The variety of tempos and jazz styles across four beloved carols keeps student musicians engaged while delivering an arrangement that sounds polished in performance.

What to expect

Spirited and playful, this medley bounces through familiar Christmas melodies with jazz swagger. The varied tempos and styles keep the energy fresh; you move from the rhythmic drive of one carol to the suave groove of another, never settling into predictability.

Who it's for

Jazz ensemble directors and conductors who need holiday repertoire that works for concert settings without eating up weeks of rehearsal time. High school and community jazz bands will find the Grade 3 difficulty level accessible while still sounding professionally arranged.

How to get the most out of it

  • Balance the full ensemble texture during ensemble passages; the piece works best when all sections are heard clearly rather than featuring soloists too prominently. Check dynamics throughout the score to ensure the melody remains audible.
  • Pay attention to the style shifts between sections. Moving smoothly from one jazz treatment to another requires intentional rehearsal of transitions. Mark these moments in your conducting score.
  • Lock the rhythm section first, particularly the bass and drums. Once those parts are solid, soloists and the rest of the ensemble will find their pocket more easily.
  • Use the 5:47 running time as a guide for pacing. If your ensemble is dragging, check tempos and whether section parts are clearly articulated rather than rushing through rhythmic passages.

How to use it

Program this as the closing piece on a winter concert to send audiences home in a celebratory mood. The medley format and recognizable tunes make it especially effective for community events or holiday pops concerts where you want to balance jazz credibility with audience accessibility.

Skills your students will build

  • Playing jazz eighth-note rhythms and swing feel across multiple tempos
  • Transitioning between different jazz styles (swing, Latin, funk) within a single piece
  • Ensemble balance and blend in a full jazz texture
  • Reading and executing jazz articulation and phrasing conventions
  • Responding to conductor tempo and style changes during performance

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