A Beautiful Friendship Cover Image

A Beautiful Friendship: Choral Octavo SoundPax

$15.00 USD
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A Beautiful Friendship Cover Image

A Beautiful Friendship: Choral Octavo SoundPax

Words and music by Donald Kahn and Stanley Styne / arr. Kirby Shaw

Item: 00-51386

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Description
Performed by icons like Ella Fitzgerald, Nat King Cole, and Tony Bennett, this jazz standard stands the test of time! Kirby's upbeat swing arrangement features tight harmonies that will satisfy even the most experienced vocal jazz groups. A notated scat section in the middle adds a flourish before the final verse. SoundPax rhythm section parts are available. "This is the end of a beautiful friendship and just the beginning of love!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081588841
SKU: 00-51386

More about this title

About the Composer: Donald Kahn

Donald Kahn and Stanley Styne collaborated on this enduring jazz standard, crafting a song that has captivated singers and audiences across generations. Their composition became a cornerstone of the American songbook, performed by legendary vocalists who understood the emotional weight beneath its elegant surface.

Why we love this

Kirby Shaw's arrangement strikes an ideal balance between accessibility and sophistication, delivering the swagger of a classic jazz standard without demanding operatic vocal weight. The notated scat section provides a genuine jazz moment that your singers will love performing, and the rhythm section parts let you build real ensemble cohesion around a driving swing feel.

What to expect

Sophisticated and playful all at once, this arrangement swings with the easy confidence of a late-night jazz club while maintaining enough harmonic interest to engage serious musicians. The scat section injects genuine fun and improvisational spirit before the arrangement gathers itself for a tender, reflective close.

Who it's for

Experienced vocal jazz ensembles and show choirs ready to tackle a legitimate jazz standard with professional-level arrangement expectations. This works best with singers who have some background in jazz idiom and the rhythmic flexibility it demands.

How to get the most out of it

  • Lock the rhythm section into a relaxed swing feel during rehearsals; the groove must sit behind the beat, not on top of it, for the arrangement to breathe.
  • Approach the scat section with rhythmic precision and lightness. These passages should feel conversational and bouncy, not rushed or overly technical.
  • Balance the tight harmonies in the verses by having singers listen across sections rather than solely within their own part. The blend matters as much as accuracy here.
  • Let the final verse land with warmth and confidence. By this point, your singers should own the lyrical sentiment and deliver it with genuine conviction.

How to use it

Pair this with other jazz standards or American songbook selections to build a cohesive set, or feature it as a standalone moment that shows your ensemble's stylistic range. The emotional arc from upbeat swing to reflective final verse works beautifully as a concert-closing number that leaves the audience with something to feel.

Skills your students will build

  • Swing rhythm interpretation and behind-the-beat phrasing
  • Scat singing with rhythmic accuracy and articulation
  • Jazz blend and balance in four-part harmony
  • Stylistic contrast between sections (uptempo versus legit)
  • Ensemble cohesion with rhythm section accompaniment

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