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60 Studies for Piano, Selected and ed. by Hans von Bülow: Piano Studies

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60 Studies for Piano, Selected and ed. by Hans von Bülow Cover Image

60 Studies for Piano, Selected and ed. by Hans von Bülow: Piano Studies

By Johann Baptist Cramer / ed. Hans von Bülow

Item: 98-EP3814

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Johann Baptist Cramer's 60 Selected Studies, for Solo Piano. These studies are an excellent preparation for passage-work, as well as being interesting pieces in their own right.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 164
ISBN10: 0-01-401852-7
ISBN13: 979-0-0140-1852-8
SKU: 98-EP3814

More about this title

About the Composer: Johann Baptist Cramer

Johann Baptist Cramer (1771, 1858) was a London-based pianist and composer whose technical mastery shaped how pianists approach the instrument. His sixty studies emerged from decades of performing and teaching, distilled into exercises that demand genuine musicianship alongside mechanical facility. Cramer's influence extended through the 19th century; Beethoven himself praised these studies, and they remain foundational in serious piano pedagogy.

Why we love this

These studies avoid the trap of being purely technical drudgery. Each one unfolds as a self-contained piece with character and musical intention, so your students won't feel like they're trudging through finger exercises. The Bülow edition provides thoughtful editorial guidance that respects Cramer's voice while offering practical performance direction.

What to expect

Elegant and purposeful, with a classical sensibility that never feels dated. The studies move between lyrical sections and technical challenges that feel organic rather than imposed, creating a sense of discovery as fingers navigate the keyboard.

Who it's for

Advanced intermediate and early advanced pianists preparing for repertoire that demands reliable passage-work and independence between hands. Teachers seeking studies that serve both technical development and musical growth will find these invaluable.

How to get the most out of it

  • Treat passage-work as singing, not scrambling. Cramer expects clean articulation and a sense of phrasing even in rapid figures; rushing defeats the purpose.
  • Honor the hand positions and fingering suggestions. Cramer's voice-leading choices dictate where fingers should sit on the keyboard, and deviating creates unnecessary tension.
  • Listen for the harmonic story underneath the figurations. These studies aren't etudes in the Hanon sense; they're pieces with real harmonic motion that shapes interpretation.
  • Work slowly enough to hear yourself. Technical security at tempo arrives only after slow, deliberate practice where every note registers.

How to use it

Assign these throughout the year rather than as isolated exercises, pairing one or two with each repertoire assignment so students deepen their technical foundation in parallel with their performance work. Several studies are concert-ready and can anchor student recitals, especially useful for demonstrating growth across a season.

Skills your students will build

  • Rapid scalar and arpeggio passages with even articulation and control
  • Hand independence and coordination across both staves
  • Voicing and harmonic awareness within technical figuration
  • Stamina and endurance in sustained technical passages
  • Stylistic interpretation of Classical-era keyboard writing
  • Efficient fingering solutions that promote fluidity and reduce tension

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