6 Duettinos Op.82 Cover Image

6 Duettinos Op.82: Woodwind Duet Book

$17.95 USD
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6 Duettinos Op.82 Cover Image

6 Duettinos Op.82: Woodwind Duet Book

By Francois Devienne

Item: 98-EP8366

$17.95
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Description

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-01406-552-2
ISBN13: 979-0-01406-552-2
UPC: 0
SKU: 98-EP8366

More about this title

About the Composer: Francois Devienne

François Devienne (1759-1803) was a French flutist and composer whose prolific output shaped woodwind chamber music in the late 18th century. Active as both a performer and teacher, he wrote extensively for winds, producing flute concertos, chamber works, and pedagogical duets that remain staples of the flute repertoire.

Why we love this

These six duets strike an ideal balance between musicality and technical accessibility, allowing students to develop ensemble listening without overwhelming complexity. Devienne's melodic lines sit naturally under the fingers, making them rewarding to play while teaching genuine partnership and dialogue between equal voices.

What to expect

Devienne's duets sparkle with the elegance of Classical-era salon music, combining graceful melody with light, conversational phrasing. The two flutes dance around each other in passages of genuine contrapuntal interplay, creating moments of both gentle humor and lyrical beauty.

Who it's for

Intermediate to advanced flute students ready to explore duet literature will find these pieces accessible yet musically substantial. They work equally well in private lessons, studio recitals, or as warm-up material for intermediate flute choirs.

How to get the most out of it

  • Establish a shared pulse before each duet begins; lock in the first few measures so both players feel the same tempo foundation.
  • Shape each melodic phrase with awareness of your partner's line; if one flutist takes the main voice, the other provides sensitive harmonic support.
  • Balance volume so that whichever flutist carries the primary melody projects slightly forward while the accompanist recedes naturally.
  • Practice separately first, then merge; knowing exactly what your partner plays prevents rushing into entries and maintains rhythmic clarity.

How to use it

These work beautifully as prelude pieces on a student recital, offering variety between solo works and larger ensemble numbers. They also function as intermission or concert opener material, setting an intimate, refined tone without demanding full orchestra accompaniment.

Skills your students will build

  • Listening and responding to another player's musical choices in real time
  • Balancing between solo and accompaniment roles within the same pair
  • Sustaining musical line through passages where the melody shifts between parts
  • Ensemble intonation and matching tone quality with another flute

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