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40 Rhythmical Studies: Trombone (B.C.) Book

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40 Rhythmical Studies: Trombone (B.C.) Book

By Grover C. Yaus

Item: 00-EL01318

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Description
These 40 Rhythmical Studies in unison for band are based entirely on division of measure, with easy key signatures. They are filled with practical rhythms, in a style that makes division of measure interesting.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-2657-4
ISBN13: 978-0-7692-2657-6
UPC: 029156050479
SKU: 00-EL01318
Instrumentation: Trombone (B.C.)

More about this title

About the Author: Grover C. Yaus

Grover C. Yaus was a respected band pedagogue and composer who understood the practical needs of music educators working with developing ensembles. His methodical approach to rhythmic training became a staple in American band programs, where his studies earned recognition for their direct, no-nonsense construction.

Yaus built his reputation on writing material that made technical study feel purposeful rather than punitive. His rhythmic studies became known for embedding genuine musicality within exercises that directors could confidently assign to players of varying ability levels.

Why we love this

Yaus strips away harmonic complexity and focuses entirely on rhythm, which means your trombones spend 40 studies building solid time feel and subdivisions without getting tangled in intonation problems across changing chord changes. The unison format keeps the focus laser-sharp on rhythm execution, and the "interesting" approach to division of measure means students won't feel like they're grinding through a dull workbook.

What to expect

Straightforward and methodical. Each study is a rhythmic challenge isolated from harmonic distraction, so students experience the clarity of getting rhythm right without the cushion of chord changes. The unison writing creates focus and accountability.

Who it's for

Trombone players in middle school through early high school concert bands who need focused, scaffolded work on rhythm reading and subdivision without the added demand of harmonic thinking. This book suits ensemble contexts where the brass section needs a common language around pulse and division of measure before tackling more complex full band repertoire.

How to get the most out of it

  • Use a metronome starting at a moderate tempo and mark the exact subdivision you're practicing (eighth notes, triplets, sixteenths) so you can speak the rhythm before playing it.
  • Keep the sound steady and centered on the staff, since intonation variables won't mask rhythmic sloppiness the way they do in full harmonies.
  • Separate one or two studies per rehearsal rather than racing through the book; rhythm absorption works better with spacing and repetition.

How to use it

Use this as a section warmup book or standalone drill sequence rather than as a concert or recital piece. It works well in the early weeks of a season when you're resetting rhythmic fundamentals, or as ongoing maintenance alongside your main concert repertoire.

Skills your students will build

  • Reading and executing rhythmic division of measure (quarter notes, eighths, sixteenths, triplets)
  • Maintaining steady pulse and subdivision awareness
  • Confidence navigating easy key signatures while focusing on rhythm
  • Consistent rhythmic articulation and phrasing across a full study

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