40 Elementary Studies Op. 54 for Violin Cover Image

40 Elementary Studies Op. 54 for Violin: Violin Studies & Tutors

$21.95 USD
Sale price  $21.95 USD Regular price 
Skip to product information
40 Elementary Studies Op. 54 for Violin Cover Image

40 Elementary Studies Op. 54 for Violin: Violin Studies & Tutors

By Franz Wohlfahrt / ed. Hans Sitt

Item: 98-EP3328

$21.95
Shipped

One moment…

Description
Franz Wohlfahrt (1833-1884) was a violin teacher in Leipzig, Germany. His famous 40 Elementary Studies for Violin, Op. 54 are still widely used by violin and viola students and provide further variety and bowing combinations from the 60 Studies. Among the usual détaché numbers there are more legato studies here, with more dotted rhythms, including a study in Mazurka style.

40 Elementary Studies Op. 54 for Violin: Violin Studies & Tutors isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-01-401559-5
ISBN13: 979-0-0140-1559-6
SKU: 98-EP3328

More about this title

About the Composer: Franz Wohlfahrt

Franz Wohlfahrt (1833–1884) was a Leipzig-based violin pedagogue whose teaching practice informed some of the most durable violin studies in the repertoire. His methodical approach to technical development through varied musical contexts made his works essential tools for generations of string teachers. Wohlfahrt's Op. 54 collection represents his mature understanding of how students learn: through exposure to different musical styles and bowing challenges presented in musical settings rather than mechanical drills.

Why we love this

Wohlfahrt's 40 Elementary Studies offer exactly what students need after foundational method work: variety without gratuitous difficulty. Unlike collections that repeat the same technical problem over and over, these studies introduce legato playing, dotted rhythms, and stylistic context (the Mazurka study is a standout) while maintaining accessibility. Directors appreciate that students actually want to play through them.

What to expect

These studies have the feeling of actual short compositions rather than finger drills. You encounter different moods and bowing textures study to study, which keeps practicing engaging and lets you hear yourself making musical choices, not just solving technical problems.

Who it's for

Violin students roughly 2-3 years into study, or viola students seeking comparable material. Teachers use these studies as the bridge between method-book exercises and short pieces, building technical confidence through musical variety.

How to get the most out of it

  • In the detaché studies, shape each phrase even at modest tempos; students often treat these as pure technical work when they're invitations to develop musicality.
  • Approach the legato studies with attention to bow distribution; these are excellent opportunities to build consistent tone production across the bow.
  • Let the Mazurka-style study breathe with appropriate rhythmic lilt; it teaches students that style and character matter as much as notes.

How to use it

Assign studies individually as students' technical needs demand rather than working through the book consecutively. A legato study works well as a recital warm-up; the Mazurka could anchor a student recital themed around national styles. Many teachers also use individual studies as sight-reading assignments for groups.

Skills your students will build

  • Detaché bowing with consistent tone and rhythm
  • Sustained legato across multiple strings
  • Dotted rhythms in musical context
  • Style awareness (Mazurka rhythm and character)
  • Intonation in varied tonalities

You May Also Like