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35 Songs and English Canzonettas for Voice and Piano: Voice & Piano

$23.95 USD
$23.95 USD
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35 Songs and English Canzonettas for Voice and Piano Cover Image
35 Songs and English Canzonettas for Voice and Piano: Voice & Piano

35 Songs and English Canzonettas for Voice and Piano: Voice & Piano

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By Joseph Haydn / ed. Ludwig Landshoff

Item: 98-EP1351A
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High Voice and Piano (German/English and German - German words by Karl Wolfskehl and Franz Hessel) - includes 14 English poems

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 92
ISBN10: 0-01-400694-4
ISBN13: 979-0-0140-0694-5
SKU: 98-EP1351A

More about this title

About the Composer: Joseph Haydn

Joseph Haydn (1732, 1809) spent most of his career as kapellmeister at the Esterházy court, where he composed across every genre with remarkable productivity and invention. His vocal writing is often overlooked in favor of his symphonies and quartets, yet his songs and canzonettas reveal a composer deeply engaged with text, melody, and the intimate scale of voice and piano.

Why we love this

This collection bridges two languages and vocal traditions, offering singers repertoire that moves fluidly between English and German idioms without sacrificing musical substance. The mix of 35 works provides options for recital programming, lesson materials, and ensemble vocalists seeking material beyond the usual Schubert canon.

What to expect

Elegant and conversational, with melodies that feel natural to the voice yet harmonically inventive beneath the surface. Haydn's gift for combining formal structure with melodic charm makes these pieces feel effortless to sing even when they contain subtle harmonic turns.

Who it's for

High voice singers preparing recital repertoire, voice teachers seeking 18th-century material that pairs pedagogical clarity with musical sophistication, and vocalists building proficiency in both English and German song literature.

How to get the most out of it

  • Shape phrases around the text's natural speech rhythms rather than squaring them off; Haydn's harmonic language supports forward momentum when you keep the line moving.
  • Treat the piano part as an equal partner, not accompaniment. These pieces often feature motivic dialogue between voice and instrument that rewards close listening and rehearsal.
  • Explore the contrasts between the English and German versions when performing related pairs; the different vowels and consonants create distinct colors in the same melodic contour.

How to use it

Frame a recital segment around Haydn's approach to multilingual song; the English canzonettas work beautifully as a bridge between Continental and English vocal traditions on a diverse program. Several shorter pieces can also serve as effective lecture-recital material when exploring 18th-century salon culture.

Skills your students will build

  • Sustained legit singing across multiple languages with distinct vowel formation
  • Recognition of Haydn's harmonic language and its structural implications for phrasing
  • Collaborative listening and balance with an active piano part
  • English and German diction in lyrical contexts
  • Navigation of varied song forms and text-setting approaches within a single collection

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