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2nd and 4th Position String Builder: Viola Book

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2nd and 4th Position String Builder Cover Image

2nd and 4th Position String Builder: Viola Book

A Continuation of the Belwin String Builder or Any Other Standard String Class Method

By Samuel Applebaum

Item: 00-EL01944

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Description
The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard string class methods. Published for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

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Additional Details
Series: Belwin Course for Strings
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-3213-2
ISBN13: 978-0-7692-3213-3
UPC: 029156270662
SKU: 00-EL01944
Instrumentation: Viola

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum was a prolific string pedagogue whose systematic approach to instrumental instruction shaped decades of music education. His String Builder series became a cornerstone of American string programs, offering carefully sequenced technical development that bridges foundational method work and solo repertoire.

Why we love this

This book addresses a genuine pedagogical need: the transition from third position work into the practical demands of second and fourth positions without losing momentum. Applebaum's sequencing respects how students actually learn, building confidence through manageable technical challenges before introducing the extensions and shifts that open up real string literature.

What to expect

The exercises progress with clear intention, avoiding both tedium and sudden jumps in difficulty. Students experience the satisfaction of applying new technical tools while maintaining musical musicality rather than drilling purely mechanical drills.

Who it's for

This book is essential for intermediate viola students (typically grades 4-6) who have completed foundational method study and are ready to expand their technical range. Directors and private teachers use it as a bridge between basic method books and standard orchestral repertoire.

How to get the most out of it

  • Establish a consistent practice routine for position shifts by isolating the movement between second and fourth positions before applying it to full exercises.
  • Use the piano accompaniment strategically to embed rhythmic accuracy and keep students engaged during technical drills.
  • Encourage students to identify the fingerboard landmarks unique to each position to build spatial awareness without relying on muscle memory alone.

How to use it

Integrate this into the second half of your intermediate curriculum, assigning pages sequentially alongside standard orchestra repertoire to ensure students can execute the positions required in actual concert music. It works particularly well as a supplement when your orchestra begins reading parts that demand consistent second and fourth position work.

Skills your students will build

  • Second and fourth position intonation and spatial awareness
  • Position shifts between adjacent positions
  • Bow control across string crossings in extended positions
  • Reading and executing rhythmic patterns in higher registers
  • Finger independence in upper positions

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