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24K Magic: Marching Band Conductor Score & Parts

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24K Magic: Marching Band Conductor Score & Parts

As Recorded by Bruno Mars

Words and music by Christopher Brody Brown, Bruno Mars, and Philip Lawrence / arr. Brian Scott

Grade: 3 (Medium)

Item: 00-47041

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Description
The title track from the GRAMMY® Award-winning album by Bruno Mars also won a GRAMMY for record of the year in 2018. Reminiscent of the 80s R&B/funk sound, Brian Scott's hip arrangement is perfect for the stands or drill team performance.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 24K Magic: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 124
UPC: 038081541433
SKU: 00-47041

More about this title

About the Composer: Christopher Brody Brown

Christopher Brody Brown is a composer and producer who has collaborated on some of the biggest pop hits of the 2010s. His work spans multiple genres and demonstrates a sophisticated approach to contemporary songwriting that translates effectively into ensemble arrangements.

Why we love this

Brian Scott's arrangement captures the infectious groove and synth-driven energy of the original without losing the song's immediate appeal to audiences. At Grade 3, it's accessible enough for developing ensembles while delivering the authentic funk and R&B flavor that makes this track instantly recognizable. Directors get a crowd-pleaser that works equally well in the stands or as part of a choreographed production.

What to expect

Neon-bright and propulsive, with that unmistakable 80s R&B swagger that makes you want to move. The arrangement channels the original's synth-funk DNA while keeping the energy lean and marching-friendly, landing somewhere between retro nostalgia and current pop sensibility.

Who it's for

Marching bands at the Grade 3 level looking for contemporary repertoire with broad audience appeal. This works for programs building confidence in younger ensembles or for units wanting to add a recognizable pop hit to their competitive or concert repertoire.

How to get the most out of it

  • Lock the rhythm section early in rehearsal. The groove is everything; spend dedicated time ensuring your percussion and low brass establish a locked, syncopated pulse before layering in the melodic voices.
  • Balance the synth lines carefully in your arrangement. Secondary melodies and counterlines should support, not compete with, the main hook; adjust dynamic markings if needed to keep the signature riff in the foreground.
  • Approach the articulation with precision. The 80s funk aesthetic demands crisp, intentional attacks on syncopated figures; sloppy rhythm attacks will flatten the energy.

How to use it

Program this as a high-energy closer or second-half opener on a concert that needs momentum; audiences will recognize it immediately. It also serves well as a drill team or visual element showcase, since the arrangement sits cleanly for choreography and keeps students engaged without technical overload.

Skills your students will build

  • Syncopated rhythm accuracy in mixed subdivisions (straight eighth notes against syncopated figures)
  • Ensemble lock and groove maintenance (marching percussion with pitched voices)
  • Dynamic control over sustained supporting lines while keeping the main melody in focus
  • Articulation precision on funk-style short and long notes
  • Reading and executing secondary melodic lines that don't derail the primary groove

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