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24 Variations on a Bach Chorale: Piano (Solo)

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24 Variations on a Bach Chorale Cover Image

24 Variations on a Bach Chorale: Piano (Solo)

By Fred Hersch

Item: 98-EP68015

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Description

These variations are by internationally-known jazz pianist and composer Fred Hersch. The Chorale is 'O Haupt voll Blut und Wunden' ('O sacred head sore wounded' is the customary verse translation; the literal translation is 'O head full of blood and wounds') from J.S. Bach's Saint Matthew Passion. The secular version of the melody became known as 'The Peace Chorale (Because all men are brothers)', with lyrics by Tom Glazer; it was recorded by The Weavers, and by Peter, Paul, and Mary. Fred writes: 'After the terrible events of September 11, 2001, the powerful, timeless melody, and these hopeful words inspired these variations.'



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 64
ISBN10: 0-300-74923-6
ISBN13: 978-0-300-74923-6
UPC: 9790300749235
SKU: 98-EP68015

More about this title

About the Composer: Fred Hersch

Fred Hersch stands among the most accomplished jazz pianists of his generation, with a career spanning five decades of performing, recording, and composing at the highest levels. Beyond the jazz world, he has demonstrated a deep engagement with classical tradition and spiritual music, bringing the improvisational language of jazz into dialogue with Bach and other foundational composers.

Why we love this

Hersch transforms a chorale weighted with centuries of theological meaning into something remarkably personal and contemporary without losing its dignity. The 24 variations unfold with the structural clarity of the classical variation tradition while embracing harmonic freedom and pianistic color that keep listeners (and performers) engaged across the full arc. Programming this work signals to an audience that you take both artistic depth and emotional honesty seriously.

What to expect

Meditative yet searching, with moments of surprising brightness and tenderness woven through darker harmonic territory. The variations move like a prayer set to many different keys and moods, each one reframing the melody as though seeing it from a new angle or in new light. There's an undeniable sense of spiritual inquiry underlying the musical exploration.

Who it's for

Advanced pianists seeking substantial contemporary work rooted in classical forms and spiritual tradition. Teachers and students interested in how jazz language and classical structure can coexist on the concert stage. Pianists comfortable with harmonic complexity and unafraid of twentieth-century compositional techniques.

How to get the most out of it

  • Establish the original chorale melody clearly in the first variations before Hersch's harmonic language expands; this grounding helps the listener track the architecture across all 24 statements.
  • Attend to the character shifts between variations. Some are introspective and spare while others bloom into rich textures; let the dynamic and registral choices breathe between them rather than rushing through transitions.
  • The printed score is essential here since variations span considerable range and include unconventional voicings; sit with the notation before learning from memory, if at all.
  • Consider the emotional weight of the original chorale's text when shaping your interpretation. This isn't pure abstraction; Hersch composed these variations in direct response to grief and hope.

How to use it

This work commands a full recital spot or serves as a substantial centerpiece for a contemporary music program. Pair it with other Bach transcriptions or arrangements to create a thematic evening around chorale transformation, or program it alongside other post-September 11 compositions that grapple with resilience and meaning. Its 64 pages and serious scope make it ideal for a senior recital or a dedicated artist performance.

Skills your students will build

  • Sustaining musical architecture across large-scale variations
  • Harmonic independence and jazz-informed voicing at the piano
  • Control of tone color and register for expressive effect
  • Reading and interpreting contemporary classical notation
  • Emotional continuity and pacing across contrasting sections

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